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To have lasting appeal in the past, present, and future, that defines a
classic. As for my humble opinion, I believe there are two things which
enable a filmmaker to create a classic that people hold dear:
identifiable elements that are not so far-fetched from our own world
and a profound message that continues to inspire and strengthen us with
age. Bearing this in mind, it's understandable why the acclaimed
Casablanca is a beloved work of cinema and counted among the great
classic films. A romantic, patriotic, and idealistic movie that
continues to stand the test of time and enchant present generations.
Derived from an unpublished play that surprisingly went nowhere, Casablanca is as beautifully photographed as it is narrated. The central focus is a timeless relationship between two characters played by Humphrey Bogart and Ingrid Bergman, without whom there's no doubt the movie wouldn't be as memorable or appealing. A loving relationship between Rick Blaine (Bogart) and Ilsa Lund (Bergman) in Paris tragically ends because of the outbreak of the War and leaves Rick a heartbroken and apathetic man. It drives him into hiding away from the world's problems in his café in far off Casablanca. But the fires of a lost passion are rekindled upon Ilsa's unanticipated reentry into his life, their fates forever entwined. Ilsa explains to Rick that something greater than the both of them had begun to unfold in her relationship with Victor Laszlo, the hero of the Resistance. She appeals to the sentimental heart and the patriotic spirit that rests within Rick's cynical exterior. His former self revived, Rick grants his lover and her husband passage to America in one of cinema's most memorable finales, as they say farewell outside of a plane, all for the sake of the cause they fight for. The rest is cinematic history!
I find it hard to believe that no one expected anything grand to come from Casablanca during the course of its development. The film is handled with great care, having a strong script and outstanding performances. Humphrey Bogart brilliantly portrays a hero, ranging from a broken man with little to lose to a redeemed figure who is changed for the better in the end. As Ilsa, Ingrid Bergman conveys a very warm and tender nature. And of course, the chemistry between Bogart and Bergman is top-notch and deeply moving.
Countless are all the classic moments and dialogue that even those who have never seen the movie can recognize. One of my favorite scenes takes place during the second meeting between Rick and Ilsa. Upon entering the café, Ilsa seems bathed by an almost heavenly light, symbolic of Rick's salvation. Another sequence that lingers within me is when the crowd singing La Marseillaise drowns the Nazi anthem out. Both scenes illustrate the crux themes of the movie, of how much hope a loving relationship can provide and how justice will prevail over evil if we all stand united.
Casablanca is not a movie that's to be marveled for technological achievements, but something infinitely more meaningful. For the leading characters, their relationship meant hope, which was exactly what was needed throughout the bleak time that was World War II. Casablanca is a movie that encourages viewers to follow their hearts and to take a stand for the many. No matter how insignificant you may seem, making a difference is never impossible. Those who have thought that Casablanca would never go far, let alone be hailed as a timeless classic, could not have been more wrong. I expect I'll be asking Sam to play it again soon!
The sets, costumes and designs were absolutely gorgeous. Each shot in each scene was carefully composed and mathematically balanced, there was a symmetry to shapes and buildings and the way in which they were captured. The lighting was incredibly clean and succinct, objects were so smooth and defined I couldn't believe my eyes. I also think the camera movements like quick zooms or when the camera moved up to a character, or shots like of the entire club were revolutionary and you can definitely see the influence of the camera work in later films. I feel like this is the film or one of the films in which our cinematic history transitions into the modern period with acting and camera-work the kind that were used to, the film strangely didn't feel old to me it looked and flowed like it could have been made yesterday. The plot itself isn't bad, it's suspenseful and exciting and interesting, Bogart and Bergman are talented actors but Bogart stood out to me the most. You can see his influence on later actors portraying dark disturbed men in historical films or action films or a combination of both.
*** This review may contain spoilers ***
I watched Casablanca for a class, and, while I initially thought that I wouldn't care for it, I find myself being able to confidently say that it's actually one of my favorite movies, not just from the class but also in general. In terms of acting character and plot the movie is just superb, the best performance being, obviously, from Humphrey Bogart. Technically, the movie is one of the best that I've seen from that period of time. The camera is EXTREMELY mobile, especially in Rick's Café, moving between the tables and sweeping the expanse of the dining room. The sweeps of the streets were incredible, and the shots seemed to be getting longer, which was nice to see. The most notable thing, technically, was the sweep of the airport as Ilsa and Laszlo's plane takes off. Overall an amazing movie, something I would definitely recommend both for the storyline and for the technical elements.
This movie was truly amazing. I never found myself bored, not even for a second. The underlying dry humor in a lot of the scenes really made the storyline comical to the viewer (if you understood the humor). I have a whole new appreciation for old time movies and Humphrey Bogart. The dialog was perfect, the characters sucked you in so much that at times I forgot it was just a movie. I also may have been the only person who was thoroughly happy with the unusual ending that in my eyes wasn't predictable. That's the most I can say without giving it away. It had an array of comical and lovable characters that I couldn't help finding myself wishing that they'd have a happy ending. Especially Sam, the piano player, although he barely said two words throughout the film his charisma and cheerfulness in an otherwise very depressed time made him so lovable as a character. Rick Blaine was a strong character that you couldn't help feeling some sympathy for, but his character displayed selfless and humble qualities that made the movie all the better.
I have always watched and enjoyed movies produced all over the world
but I feel its high time I put my thoughts on paper for the sake of
records at least . Also, these will have the potential to create some
nostalgic value later.
Coincidentally, I watched Casablanca for the first time (emotionally) few days back. The movie which is largely known as one of the greatest love stories of all time is not one, its much more than a mere love story.
It is a work of a man who at the time of making this piece seemed to have acquired such levels of skills in his art form that it is next to impossible to be able to find a flaw in this work even for the finest of the observers.
How do I even start here? I should very well start with the image which has not left me ever since I have finished watching the movie. There is no doubt that Ingrid Bergman is one of the most naturally beautiful actresses Hollywood has seen in the last century, but in my opinion she is also one of the very few actors who could speak through their eyes exactly what was there in the heart of the character she was playing. This is a skill/gift which is found in a rare breed of actors. The scene where she looks at Rick (Humphrey Bogart) after all those years of separation is a perfect example of the role eyes ought to play to emote ones feelings without utterance of a single alphabet. Its hard to believe how she did not receive an Oscar nomination for this movie as she ended up receiving seven of them in a long glittering career. The prospect of watching all of those is a temptation that can not be defined.
I haven't seen all of Bergman's fine performances but in the few that I have seen, one can easily conclude that she has the ability to give multiple layers to her character which is the case in Casablanca as well. The flair with which she has been able to shift between various moods of innocence, mystery and sheer passion is remarkable. Of course, credit must also go to Curtiz who orchestrated this mood dance.
The character of Rick is like an iceberg which has been put in fire to melt and vanish and just before it starts to lose its identity it takes inspiration from itself and extinguishes the fire with the water it had lost. There could not have been a better choice for this role than Humphrey Bogart, every square inch of whose countenance reflects the state of mind he is in. Moreover, he is a true style icon in this movie and fits the part to the hilt which pops up the following question: was the role of Rick written for him or he was the best fit for the role!
As is seems, the image of protagonists is at the top of my mind their role in the greatness of the movie is certainly not limited to being the faces of the movie. Having said that, below the surface its the work of a master who has engineered multiple components into a giant which overpowers most others in its proximity. This fine piece of work makes its entry straight into the list of Cinema Extraordinaire because of its universal appeal, unique treatment, essentially real yet whimsical script, gripping screenplay and stupendous display of ever changing human behavior.
The range of emotions and situations this film has on offer at every stage of the movie makes it a sumptuous and delicious meal for audiences of varying taste. The movie reaches its climax in 95 minutes and it feels like that perfectly timed dessert which is an extremely rare delight.
The manner in which any two characters have been linked in this movie is the most unique to say the least. There are many two way relationships which have been portrayed with considerable depth on screen in such a small time that you start wondering by the time movie reaches its final moments that how was it even possible to experience so much in such a short time.
Every character leaves an indelible mark even though all it did in the movie was hit a few guitar strings or pick pocket at a restaurant. Every scene in the movie is a study in itself.
This is a must watch for anyone who has ever thought of himself as a movie fan. Casablanca without doubt makes its way in my all time top 5 list!
Romance. Drama. Humphrey Bogart. 3 Academy Awards, including Best
Picture. Put them together and what do you get? Warner Brothers'
"Casablanca". Set in Casablanca during WWII, this film tells the story
of Rick Blaine (Bogart), a bar owner bitter after an abruptly-ended
romance with the lovely Ilsa (Ingrid Bergman). Rick's doing okay, that
is until Ilsa walks back into his bar and his life, bringing her
husband (Paul Henreid) with her. Add into the cast great talents like
Claude Rains, Peter Lorre and Sidney Greenstreet and how can you lose?
Arguably the best movie of all time, "Casablanca" is well-worth viewing. If you haven't seen it, get it and watch it. If you have seen it, get it and watch it again. Watch it, Sam. Watch "Casablanca".
Lauren Bacall was wonderful as Ilsa...in a parallel universe. Too bad
it was Ingrid Bergman who ended up with the role, I just couldn't buy
the Bogie'n Bergman love story and would have loved to see Lauren
instead! So I gave this movie a 4, as soon as I was done watching.
Because Bergman failed to convince me and I cringed at their Paris
scenes. I mean Bogie, romantic?! Are you kiddin' me?! (I was even more
shocked to see Bogie smile!) I was bored through the story, the men's
thick black eyeliner looked like an ethnic joke, their white eyeliner
was a little less distracting, but I've seen worse, so I decided what
the heck, I'm 1/4th through this movie might as well keep going since
it's not like it's starring *insert your most insipid actress and
buffoon of an actor here* And OK, since I'm well-endowed in the
"suspend disbelief" department, I'll pretend I'll buy Ingmar Bergman or
whatever as the love interest.
Since some of the dialog was amazing, I thought I'd actually give this a 7. For effort. Plus the "last night was so long ago/tonight? I don't plan that far ahead" exchange was awesome. (I'm gonna have to memorize these lines, I'm sure to use them sometime!) And the music was not bad. So what the heck, it doesn't deserve a 7 but I'm not in a bad mood tonight and it's Christmas, right?! But what the **** happened to "Play it again, Sam!"? I never once heard it and I felt ripped off throughout the movie! I heard "Play it, Sam" Who misquotes a movie, really? OUTRAGEOUS!!! Just for that, I felt like I needed a refund, and let me tell you, that 7 was quickly turning into a 5. Plus I'd seen the final scene, the Bogie/Bergman exchange, final scene, it says so on You Tube. Right? So who cares, I already know how it ends.
It wasn't the final scene after all! WTH??! After years of believing that's how it ended, now they ripoff the ending too by adding some insipid action? Couldn't they have been done at that scene since it's *supposed* to be the only end anyone cares about? (After all, it's the only one "they" ever show!! What else could there be, really?!) Well, in the end--and sorry to put it this way if you kinda like this film--but what do you think I could possibly give this sorry little B&W film maker's menial effort of a wanna-be movie? Well, if you should know I only gave it a mere TEN! That's right! Was I glad I stuck with it till the end! It got better and better until it became one of the best movies ever! I didn't expect the surprise ending, that's for sure! Blown away!
This one is definitely worth a re-watch sometime soon, minus my "Dancing-with-the-Stars-judge-raising-score-on-a-panel-every-5-secs" attitude. I don't think I've ever seen a movie where I went from "who gives a c^^p about you?" to absolutely blown away by the characters and their turn of events. In a sense I went from caring about Rick just about as little as Rick himself did to making a 180 degree turnabout. Sort of like Rick did at the end! Amazing!! And Ingrid Bergman was indeed good, certainly not my first choice for Ilsa--still would have loved to see Bacall--but she held her own. Here's looking at you, Kid! It's like after the movie was over, I came to the realization that I had been a Rick of sorts throughout. And the movie took me through my own 180.
Does everyone feel like this when watching this movie? Is it supposed to turn us all into Ricks and then flip-flop us around leaving us utterly dazed and not knowing what hit us there for a second? Or is it just me? It almost felt like a spiritual experience! Almost! It was simply amazing! 10/10. Come what may, I'll always have Casablanca in my DVD collection!
A true classic! Anyone who is a fan of movies must see this film. Simply one of the best movies of all time. Bogart at his absolute best. Great casting (reuniting Bogart, Peter Lorre and Sydney Greenstreet, who played together so well in ' Tha Maltese Falcon', was brilliant). Absolutely one of my favorites. One of Bogart's most sympathetic characters, in one of the most quoted (and misquoted) movies of all-time. Simply fantastic movie-making from a great era in American cinema. This movie, and Bogart's character of 'Rick' most notably, are reminiscent of other great genres of American cinema of the time, like film noir and the hard-boiled detective story (of which Bogart was a mainstay at the time). Anyone who considers his or herself a fan of love stories, drama, or American cinema (or nostalgia) must see this movie. It is the quintessential 40's American movie.
*** This review may contain spoilers ***
There is no term to describe this other than classic, but not the type
of classic that a film like THE WIZARD OF OZ or GONE WITH THE WIND are.
That is because when this film was being made, it was just another
assembly line production from it's studio (Warner). When you see it
today, the cast appears so great that you would think it was something
special, but this supporting cast, great as it is, worked together
often. What this has in common with the WIZARD is a great script.
The writers of CASABLANCA came up with a script that tops all other films in classic moments of quotes that have become a part of Americana. So many quotes from this film are used in other films & media that they have become cliché almost. Even miss-quotes like "Play It Again, Sam" from this film have become American folk-lore. "Round up the Usual Suspects" has become it's own film later. "You & Me, Kid"- the list goes on & on.Other than the Great Oz, these quotes just flow from this film to 100's of other works since this film was made.
What makes this film really special is the unfulfilled love between Bogart & Bergman's character that is left hanging at the end. In an era, where love always had to have a happy ending, this movie gloriously leaves us with people in love who are forced away from each other by circumstances beyond either of their control.
This theme is closer to real life than most Hollywood products of any era. Almost everybody can identify with it because haven't we all had a love in our life who we yearned for very much, but due to circumstances beyond us, we never had a chance to fulfill? That is too me what makes this film stand above all others.
This is a film that has action, but not much of it. This film has comedy, but only enough to make the film great. It has subtle patriotic themes that carry the film along. Most importantly, this film has the heart of every viewer who ever watches it because the film, by accident, touches themes that many films aspire to reach, but never achieve.
Ironically, this all happened by the greatest of chance & rarely has any movie ever come close to what this film is. If I were a filmmaker, actor, or had a career in this industry, this would be the film I wish I had worked on. Nothing gets better than this one.
*** This review may contain spoilers ***
SPOILERS Possibly contained
Ok, Casablanca can simply be described in six words "The Greatest Movie Of All Time".
In this film we get to witness Bogart & Bergman in their best performances, in one of the greatest (if not THE greatest) love stories of all time. The way the romance develops, disintegrates, develops again & finishes on a sad note, is one of the best film plots of all time. The acting is superb, the plot is majestic, the film may be in black and white (an idea which is often sadly dated in modern society, but not in this case) but it survives & by the end of this film, possibly the most famous movie scene of all time is shown, climaxing in what can be argued as the greatest line of all time.
I guess the problem with writing reviews is that it's often easy to write vast ammounts about a film you hate, but when it comes to a film you love, you embrace it to such a degree that it's almost impossible to think of anything fresh and original to write.
so, with that last statement in mind, let me say this. If you have never seen Casablanca, you must be mad. If you have seen Casablanca and dislike it, you must be even madder. This film is genius, pure, classical genius.
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