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I was thoroughly excited to see this movie because of all the positive reviews I've heard about it in the past. However, this movie in no way lives up to the hype. Everyone hails it as an undisputed masterpiece, but compared to the many movies that have come out after and even before it, this movie doesn't stand strong. The acting was stale, the characters were un-relatable, and the story was drug out too long. I found myself bored throughout at least 80% of it. Please don't assume that I don't like it just because it's an older film; most movies I have scene are older films, and a lot of them are far better than this one. Believe me, I wanted to love this film, but I just couldn't. Even if it was "great" for its time, that doesn't mean that it's great for this time. However, I will say that there were a few memorable lines, and some parts that were better than the rest, but other than that a cliché filled snoozer.
When people ask me what is the best movie of all-time is I don't flinch, I just say "Casablanca". It has everything a great movie should have: romance, sacrifice, wonderful lines, a memorable song, incredible acting (even in the smallest roles) and it is one of the few non-film noir movies filmed in the B&W era that I wouldn't want to see refilmed in color (that is in definite contrast to "I Know Where I'm Going!" which begs to be refilmed to show the beauty of its vistas). But the key that makes everything works is the ending. I don't think the ending that exists in Casablanca could be filmed today and though most have seen this movie (or any of its parodies) I don't want to give anything away. But I encourage you to compare the ending of this movie with the endings of other romantic movies such as "An Affair to Remember", "Sleepless in Seattle" and even the most recent animated "Sinbad" movie. Contrast their endings with Casablanca's ending and you see how Casablanca resonates. Many movies have tried to emulate the ending of Casablanca but it never quite rings true because hollywood movies aren't allowed to have this ending yet the only ones who try are either independent or anti-hollywood.
This is a good movie, maybe even a great one. It is most definitely not
one of the best movies ever made. What it is is a perfect example of a
specific style of "Old Hollywood" filmmaking, maybe the best example
there is. But if that style was the best way to make films, they would
still make films like that.
That's not to say I don't like this movie. I even understand why some people love it. It's a pleasant romantic film with some very iconic moments. For me, The Marseillaise scene is very powerful. Despite all that, this film fails to be a great piece of art in the way more challenging films like Citizen Kane, Persona, and The Passion of Joan of Arc are.
And that's because, despite the strong story of the film, it has very little to say. Curtiz is not interested in raising any questions, but simply telling his story and drumming up support for the war. He's also not a great director, as the movie's cinematic style is overly theatrical, without any attempt to use cinematography and editing to tell the story. The acting is (as usual) is great from Bergman, and rather cheesy from Bogart.
This movie is a classic, there's no denying that. But it's a classic because it's simply a good example of a style that is typical of the time. What is typical is almost never important. If the movie is worth watching it's only because of the place it holds in American culture. It's place in the overall history and development of film is almost nonexistent.
*** This review may contain spoilers ***
"This is a beginning of a beautiful friendship" that is how this unforgettable and everlasting movie, which talks about love, friendship, loyalty, intrigue, and survival ends. The play takes place in the city of Casablanca, and even though we are unable to see the city (because the action takes place mainly in Ricks' bar), the life of the city is present. On one side are refugees waiting to escape from the horrors of war, and on the other are those who still enjoy nights full of gambling and entertainment, or smuggling and enrichment. The love story is started in war Paris, and revived through the memories in the currently more peaceful Morocco. The fact that love is stronger and larger than any other living thing, and subordinate to world events, is show in the decisions Rick (H. Bogart) makes. Although the movie is black-and-white, it even more emphasizes time events. There is also a color version of the film, but it feels like something is missing. If you have a chance to watch it, you shouldn't miss this masterpiece. And if you have watched it... Play It Again Sam.
It's that kind of cynicism that makes this old-time classic endearing to a
modern day audience. "Casablanca" is a noirish melodrama set against the
back-drop of WWII and Europeans fleeing to America by way of French Morocco.
What's so refreshing about it, in spite of its classical love triangle
theatrics, is that is never places romantic love on a pedestal. It realizes
that in a world of uncertainty where neutrality is the biggest crime, there
are more noble things than love.
This movie is sited by many critics and viewers alike as one of the top three greatest films ever made. It's easy to see why. It contains probably the greatest dialogue ever written for the screen. It stars two screen icons in their greatest roles and a superb supporting cast. It's directed by Curtiz with a complete lack of pretension. There's nothing overtly artistic about it, or any sign that anybody involved was trying too hard. Essentially this was a gathering of classy professionals who set out to accomplish one thing: make an entertaining film. In the process, they might have made the greatest. Unlike so many of the other classics of this period, you never have to view it "in context" to appreciate and enjoy it. Rock solid entertainment anchored by smart writing cleverly cast and competently directed translates well in any day and age. Play it again, Sam, and it gets even better As Time Goes By.
Everyone remembers 'As Time Goes By' (the song that only stayed in the film,
so popular culture has it, because Bergman had cut her hair for 'Joan of
Arc', and couldn't retake scenes using another tune) but there is much more
to this world-weary romance.
Bogart, of course, was hardly the usual romantic movie hero. Which is possibly what makes him so perfect for Rick, in his Casablanca nightspot, on nobody's side. He spars with Claude Rains (the crooked police captain) and Sidney Greenstreet (a rival bar owner) like a trooper, has a quiet contempt for Paul Henreid (a freedom fighter) and Peter Lorre (a thief), gives Conrad Veidt (the Nazi Major) as good as he gets, is on the level with employees Dooley Wilson and Cuddles Sakall.
Through all this, truly loves Ingrid Bergman (the beautiful Ilse, the love of his life). It is their story, but not the story you might expect. This is the secret, I think, of 'Casablanca' and its lasting success. From the moment we see the map and the film title to the 'beautiful friendship' line at the end, we're hooked. Every performance is a lasting joy.
If all films were made like "Casablanca" it would be a perfect world. Very rarely does a film move its audience the way that this film does. The movie deals with a romance that just cannot be because of numerous circumstances. World War II is quickly turning the planet upside down and many Europeans are making their way to Casablanca to get visas to escape the Nazi regime. Paul Henreid and wife Ingrid Bergman are among the many who have made the odyssey. However, trouble springs up when they must go through Bergman's old flame (Humphrey Bogart, Oscar-nominated). More trouble arises with French military official Claude Rains (Oscar-nominated) and his strained relations with the Nazis. It is a heartwrenching film that dominates because of an outstanding screenplay, amazing direction by Michael Curtiz, and superb performances by all involved. A great movie. 5 stars out of 5.
Every thing positive everyone has ever said about this movie is true. Still
compelling after all these years, one of my top ten movies, I can go back
and watch every few years.
This movie works on every level, drama, love story, suspense, but most of all it is a war propaganda movie. Pro war, pro allies, anti Nazi, even a little anti French, this movie was made smack in the middle of WWII when the outcome was still in doubt and designed get the public behind the war effort. It sure was more fun then those 'Victory gardens, paper drives and gas rationing' and other techniques to get public support. It is impossible for a film made for this purpose to stand the test of time, but Casablanca has, and that's why it is such an incredible film.
Lauren Bacall was wonderful as Ilsa...in a parallel universe. Too bad
it was Ingrid Bergman who ended up with the role, I just couldn't buy
the Bogie'n Bergman love story and would have loved to see Lauren
instead! So I gave this movie a 4, as soon as I was done watching.
Because Bergman failed to convince me and I cringed at their Paris
scenes. I mean Bogie, romantic?! Are you kiddin' me?! (I was even more
shocked to see Bogie smile!) I was bored through the story, the men's
thick black eyeliner looked like an ethnic joke, their white eyeliner
was a little less distracting, but I've seen worse, so I decided what
the heck, I'm 1/4th through this movie might as well keep going since
it's not like it's starring *insert your most insipid actress and
buffoon of an actor here* And OK, since I'm well-endowed in the
"suspend disbelief" department, I'll pretend I'll buy Ingmar Bergman or
whatever as the love interest.
Since some of the dialog was amazing, I thought I'd actually give this a 7. For effort. Plus the "last night was so long ago/tonight? I don't plan that far ahead" exchange was awesome. (I'm gonna have to memorize these lines, I'm sure to use them sometime!) And the music was not bad. So what the heck, it doesn't deserve a 7 but I'm not in a bad mood tonight and it's Christmas, right?! But what the **** happened to "Play it again, Sam!"? I never once heard it and I felt ripped off throughout the movie! I heard "Play it, Sam" Who misquotes a movie, really? OUTRAGEOUS!!! Just for that, I felt like I needed a refund, and let me tell you, that 7 was quickly turning into a 5. Plus I'd seen the final scene, the Bogie/Bergman exchange, final scene, it says so on You Tube. Right? So who cares, I already know how it ends.
It wasn't the final scene after all! WTH??! After years of believing that's how it ended, now they ripoff the ending too by adding some insipid action? Couldn't they have been done at that scene since it's *supposed* to be the only end anyone cares about? (After all, it's the only one "they" ever show!! What else could there be, really?!) Well, in the end--and sorry to put it this way if you kinda like this film--but what do you think I could possibly give this sorry little B&W film maker's menial effort of a wanna-be movie? Well, if you should know I only gave it a mere TEN! That's right! Was I glad I stuck with it till the end! It got better and better until it became one of the best movies ever! I didn't expect the surprise ending, that's for sure! Blown away!
This one is definitely worth a re-watch sometime soon, minus my "Dancing-with-the-Stars-judge-raising-score-on-a-panel-every-5-secs" attitude. I don't think I've ever seen a movie where I went from "who gives a c^^p about you?" to absolutely blown away by the characters and their turn of events. In a sense I went from caring about Rick just about as little as Rick himself did to making a 180 degree turnabout. Sort of like Rick did at the end! Amazing!! And Ingrid Bergman was indeed good, certainly not my first choice for Ilsa--still would have loved to see Bacall--but she held her own. Here's looking at you, Kid! It's like after the movie was over, I came to the realization that I had been a Rick of sorts throughout. And the movie took me through my own 180.
Does everyone feel like this when watching this movie? Is it supposed to turn us all into Ricks and then flip-flop us around leaving us utterly dazed and not knowing what hit us there for a second? Or is it just me? It almost felt like a spiritual experience! Almost! It was simply amazing! 10/10. Come what may, I'll always have Casablanca in my DVD collection!
I saw this movie in college 20 years ago with over seventy 18-23 year old
fellow students. And the audience reaction was like the movie just came out
yesterday. Here's a movie that assumes that the average audience has
intelligence. And the tons of laughs were all in the right places for the
right reasons. Twenty years later, I can still hear the laughter and
applause...and the cheers; especially for that now classic closing
If more black and white classics were given this kind of DVD treatment (the recent 2 disc release), then I'd own more black and white classics. Bogart's brilliant portrayal was ahead of its time and no one else but Bergman could of been Elsa. Same for Rains, Henreid, Sakall, Veidt and EVERYONE else. Perfect cast, perfect acting.
It's a shame most people will never see this with an audience because this is a crowd pleaser if ever there was one. So the next best thing is the quality and care that was put into the new DVD. Believe it or not, this makes a great "at home" date flick. And even have a few friends over...but not the 'chatty' ones. There's just too much to miss if so and so starts to "yackitty! yackitty! yackitty! during the many (& there are many) priceless and subtle moments. This movie deserves full attention. And the nice thing is...you pick up more the 2nd time seeing it (& 3rd, 4th...etc).
My favorite line (no way am I repeating it or any others) is Rick's "poor salesmanship" rejection. This one film has more great 'one liners' than some hundred movies put together. And it still seems as fresh today as when...well; when I saw it the 1st time.
It's not that "they don't make em like this anymore" applies to 'Casablanca' because most movies, for every year, in every era (since the 1920's); aren't very good. It's always the very few that rise above the heap, every year; especially when you take into account that over 100 movies are made every year. But 'Casablanca' represents a sample of damn fine storytelling for that particular era that time has proved to be...timeless.
A 'must see' for most movie lovers (but not the 'yackitty' ones).
10 out of 10!
(Can't wait for Bogart's "Treasure of the Sierra Madre"s 2 disc DVD release next month. Another sample of just how brilliant Bogart's acting is.)
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