1 out of 4 people found the following review useful:
We'll Always Have Overacting., 17 December 2010
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Author:
dunmore_ego from Los Angeles, California
*** This review may contain spoilers ***
Leonard Maltin calls CASABLANCA "The best Hollywood movie of all time";
it won the 1943 Best Picture Oscar; voted #2 film of all time by the
American Film Institute; Roger Ebert effuses, "Casablanca is THE
movie"; it boasts one of the most regal Hollywood stars in Ingrid
Bergman (in the movie that would catapult her to stardom), and the
cynical founder of the Holmby Hills Rat Pack, Humphrey Bogart, one of
the eras manly sex symbols, even though his face resembled the
underside of a running shoe.
Some movies were great back then, and stay great: CITIZEN KANE, SEVEN
SAMURAI, GENTLEMAN'S AGREEMENT. Poor CASABLANCA has dated badly - due
to censorship at the time not allowing the filmmakers to solidly
portray a married woman cheating, censorship on what could be shown on
screen to denote "passionate affair," contention over the nihilistic
lead character necessarily having a heart of gold, the faults go on.
After decades of progress in American film, CASABLANCA, though it has
insinuated itself into popular vernacular as a "great film," is nothing
more than a talky cardboard romance thriller, with overacting
threatening to send us into a melodramatic swoon and enough soft-focus
on Ingrid Bergman to make us cross-eyed.
During World War II, Rick (Bogart) and Ilsa (Bergman) had a steamy love
affair in Paris, which involved lots of kissing with their mouths
closed and lots of hugging with their clothes on. Years later, Rick
runs a gin joint in Casablanca, The Café Americain, a stopover in
Morocco for refugees from Nazi-occupied Europe on their way to America.
It's kinda like the Cantina in STAR WARS, except all the aliens are
illegal. Peter Lorre cameos as Chewbacca, and Sam the piano player
(Dooley Wilson) plays As Time Goes By by flapping his hands up and down
on the keys like a seal. "You badly synched it for her, you can badly
synch it for me."
When Ilsa and her activist husband Victor Laszlo (Paul Henreid) seek
egress through Casablanca to The States, they seek out Rick at his Café
("Of all the gin joints in all the towns in all the world, she walks
her pointy bra into mine"), knowing he has Letters of Transit that
would confuse the Nazi stormtroopers hunting them due to Laszlo causing
a great disturbance in the Resistance on Tattooine. "These aren't the
droids you want. Move along." And Rick and Ilsa reignite their love
affair by meeting in dark rooms and talking a lot with their clothes
on. Rick's refrain, "We'll always have Paris" makes us wonder why he
doesn't tear off her pointed bra and make Casablanca the new Paris.
Everyone constantly drinking and smoking, yet no one ever gets drunk
enough to have a Sexy Party. Censorship, thou frigid mistress.
Claude Rains is an unscrupulous, stylish weasel of a frog, a French
officer who is nonchalantly AC/DC when it comes to helping either Rick
or the Germans - whoever can benefit him the most. Conrad Veidt is Nazi
Strasser, bedecked incorrectly in a Luftwaffe uniform.
Evidence abounds that CASABLANCA would not make it through today's
muster onto the silver screen. Based on the play by Murray Burnett and
Joan Alison, Everybody Comes to Rick's, IMDb trivia tells us "in 1980
this script was sent to readers at a number of major studios and
production companies under its original title. Some readers recognized
the script but most did not. Many complained that the script was "not
good enough" to make a decent movie. Others gave such complaints as
"too dated," "too much dialog" and 'not enough sex."" According to
actress Geraldine Fitzgerald, Bogart and Bergman themselves "thought
the dialogue was ridiculous and the situations were unbelievable..."
Yet the movie remains a classic for most film aficionados. Back when
they were starstruck kids it was "the beginning of a beautiful
friendship." Ah, to me, "the problems of three little people don't
amount to a hill o' beans in this crazy world."
I couldn't have melodramatically stated it better, Humphrey.
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