Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
The story of Rick Blaine, a cynical world-weary ex-patriate who runs a nightclub in Casablanca, Morocco during the early stages of WWII. Despite the pressure he constantly receives from the local authorities, Rick's cafe has become a kind of haven for refugees seeking to obtain illicit letters that will help them escape to America. But when Ilsa, a former lover of Rick's, and her husband, show up to his cafe one day, Rick faces a tough challenge which will bring up unforeseen complications, heartbreak and ultimately an excruciating decision to make. Written by
Around nine minutes into the movie, Rick OKs a credit slip dated 2-Dec-1941. See more »
Renault says, "We mustn't underestimate American blundering. I was with them when they blundered into Berlin in 1918." This isn't historically correct, but Louis was being sarcastic. See more »
With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas. Lisbon became the great embarkation point. But, not everybody could get to Lisbon directly, and so a tortuous, roundabout refugee trail sprang up - Paris to Marseilles... across the Mediterranean to Oran... then by train, or auto, or foot across the rim of Africa, to Casablanca in French Morocco. Here, the fortunate ones through money, or ...
[...] See more »
It Had to Be You
Music by Isham Jones
Lyrics by Gus Kahn
Played during the opening shot of Rick's Café
Performed by Dooley Wilson (piano dubbed by 'Jean V. Plummer' )
Also played when Laszlo and Ilsa return to Rick's See more »
As time goes by, it's still one of the all-time greats...
While my personal Bogey favorite is still his Sam Spade in 'The Maltese Falcon', his cynical nightclub owner, Rick, in 'Casablanca', is also a standout. Rather than some "off the cuff" comments, I'll quote instead from my article on Claude Rains (from March 2000 issue of CLASSIC IMAGES) that pretty well sums up the film:
"It was 1943's 'Casablanca', bustling with melodramatic wartime intrigue, that really put him (Claude Rains) in the forefront as one of the screen's smoothest character actors, almost--but not quite--stealing the film from Humphrey Bogart and Ingrid Bergman, as the uniformed Captain Louis Renault who investigates the goings-on at Rick's notorious cafe.
Nobody associated with the film guessed that it would become a screen classic, least of all its director, Michael Curtiz, the prolific WB director to whom it was just another assignment. It went on to win the Oscar for Best Film of 1943 with an award for Curtiz' taut direction.
Oddly enough, the film's memorable airport ending was written and conceived just shortly before filming wrapped up, with neither Bergman nor Bogart knowing whether or not she would leave him for husband Paul Henried. Wartime audiences loved the film. Sydney Greenstreet, Conrad Veidt, Victor Francen and Peter Lorre all gave sterling performances and Rains was again nominated for Best Supporting actor."
And by the way, I disagree with a former comment indicating the black and white photography of this film was primitive as compared to today's. Incredible nonsense!! As a matter of fact, the film's black and white cinematography was nominated for an Oscar!
Ingrid Bergman was at the peak of her radiant beauty in this one--and Bogey was firing on all six cylinders. Great chemistry!
As time goes by, we still have 'Casablanca'...
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