Dr. Gillespie's cancer has gotten worse, and to force him to take a rest instead of pursuing a sulfa-drug/pneumonia study, Kildare refuses to assist Gillespie, and instead accepts a case of... See full summary »
Young Pud is orphaned and left in the care of his aged grandparents. The boy and his cantankerous old grandfather become inseparable friends. But Gramps is concerned for his grandson's ... See full summary »
Harold S. Bucquet
Navy Lt. Richard Perry becomes an undercover man out to discover the leaders of a group of well connected men who pull off bank robberies during the McKinley administration (early 20th ... See full summary »
William A. Seiter
Dr. Leonard Gillespie, for several reasons and not all medically related, asks a young surgeon, Dr. Tommy Coalt, to go to a small town and replace a local doctor while he is on vacation. ... See full summary »
It is a week before Dr. Kildare's wedding to pretty Nurse Mary Lamont. The hospital is a-buzz with preparation for the big day. And good old Dr. Gillespie, despite fatigue, has agreed to ... See full summary »
Dr. Jimmy Kildare is back at work at Blair General hospital, though several people admit that he is not himself since suffering his loss. He's taken a liking to a young intern, Don Winthrop... See full summary »
Dr. Gillespie tries to teach Jimmy Kildare a lesson by tossing him into a street clinic. Only Kildare gets called to take a bullet out of a suspected murderer, and when the cops collar him ... See full summary »
Jim is a compulsive gambler. He meets Marge at a boarding house and they get married. His gambling causes problems. When he runs into old flame Valerie Marge leaves him. After a few years ... See full summary »
Alfred E. Green
Edward G. Robinson,
Dr. Gillespie is contacted by his old friend Emma Hope, headmistress of a prestigious girls school. She's concerned about Roy Todwell, the young man one of her girls, Marcia Bradburn, has been seeing. Todwell has shown serious bouts of violence over the most minor event and working with a colleague, Dr. Gerniede, Gillespie concludes that the young man is suffering from serious mental illness. He has little success in convincing Todwell's parents of the seriousness of it all - they prefer to take the opinion of their own physician who thinks psychiatry is just a lot of mumbo jumbo - and the young man's condition deteriorates. Todwell soon sets out for New York with only one goal in mind - to kill Dr. Gillespie. Written by
The movie initially was called "Born to Be Bad" with Lew Ayres again starring as Dr.Kildare. After principal shooting had been completed, Ayres announced he was a conscientious objector to world war II in which America was then involved. Fearing adverse publicity, MGM scrapped his footage, replaced him with 'Philip Dorn (I)', and changed the title. See more »
"It must have been a great honor to have been entertained by John Quincy Adams."
Dr. Gillespie (Lionel Barrymore) is asked by an old friend for help with a young man named Roy Todwell (Phil Brown) who may be going crazy. Along with psychiatrist Dr. Gerniede (Philip Dorn), Gillespie tries to convince Roy's parents that he needs medical help before he hurts someone. But they are resistant and soon Roy has gone on a full-blown killing spree, with every intention of making Dr. Gillespie his next victim.
The first of MGM's Dr. Gillespie series starring Lionel Barrymore. The series is a continuation of the Dr. Kildare series without star Lew Ayres. This movie attempts to set up a possible replacement for Ayres in thickly-accented Philip Dorn, but it doesn't click. Dorn is fine but the mentor/mentee relationship between Gillespie and Kildare isn't there. Phil Brown makes for a really creepy psychopath. The movie wastes no time showing us how nuts he is -- he kills a little dog in his first scene! Lovely Donna Reed appears as the object of the psycho's affections. Most of the regular supporting cast from the Kildare series is still around here and enjoyable as ever. This includes Alma Kruger, Nat Pendleton, Nell Craig, and Marie Blake. Ava Gardner has a bit part with a couple of lines near the end.
There's a lot of nitpicking of the Kildare/Gillespie movies by some modern viewers who are indignant that a movie made in the 1940s has outdated medical knowledge. This seems especially true whenever the movies addressed psychological cases, such as with this one. I, for one, find these parts of the film interesting as historical curiosities. It gives us a window into how such things were viewed in the past. Why hold it to a modern standard just to mock it is beyond me. This is my favorite of the Gillespie series. Possibly my favorite from both series. A later movie, Dr. Gillespie's Criminal Case, would follow up on the events in this one.
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