| Photos (see all 5 | slideshow) |
| Tyrone Power | ... | Jamie Waring | |
| Maureen O'Hara | ... | Lady Margaret Denby | |
| Laird Cregar | ... | Capt. Sir Henry Morgan | |
| Thomas Mitchell | ... | Tom 'Tommie' Blue | |
| George Sanders | ... | Capt. Billy Leech | |
| Anthony Quinn | ... | Wogan - Leech's First Mate | |
| George Zucco | ... | Lord Denby | |
| rest of cast listed alphabetically: | |||
| Edward Ashley | ... | Roger Ingram (uncredited) | |
| Bonnie Bannon | ... | Lady in waiting in the courtroom (uncredited) | |
| Fortunio Bonanova | ... | Don Miguel (uncredited) | |
| John Burton | ... | Capt. Blaine (uncredited) | |
| Rita Christiani | ... | Dancer (uncredited) | |
| Helene Costello | ... | Woman (uncredited) | |
| Bryn Davis | ... | Woman (uncredited) | |
| William Edmunds | ... | Town Crier (uncredited) | |
| Charles Francis | ... | Capt. Higgs (uncredited) | |
| Willie Fung | ... | Chinese Cook (uncredited) | |
| Jody Gilbert | ... | Flossy Woman with Tommy (uncredited) | |
| Arthur Gould-Porter | ... | Assemblyman (uncredited) | |
| Keith Hitchcock | ... | Majordomo (uncredited) | |
| Olaf Hytten | ... | Clerk Reading Proclamation (uncredited) | |
| Boyd Irwin | ... | Assemblyman (uncredited) | |
| Charles Irwin | ... | Sea Captain (uncredited) | |
| George Kirby | ... | Assemblyman (uncredited) | |
| Frank Leigh | ... | Sea Captain (uncredited) | |
| Cyril McLaglen | ... | Capt. Jones (uncredited) | |
| Charles McNaughton | ... | Mr. Fenner (uncredited) | |
| Clarence Muse | ... | Margaret's Servant (uncredited) | |
| Stuart Robertson | ... | Capt. Graham (uncredited) | |
| C. Montague Shaw | ... | Assemblyman (uncredited) | |
| Arthur Shields | ... | The Bishop (uncredited) | |
| David Thursby | ... | Sea Captain (uncredited) | |
| Frederick Worlock | ... | Speaker of Assembly (uncredited) | |
Directed by | |||
| Henry King | |||
Writing credits | ||
| Ben Hecht | (screenplay) and | |
| Seton I. Miller | (screenplay) | |
| Seton I. Miller | (adaptation) | |
| Rafael Sabatini | (novel) | |
Produced by | |||
| Robert Bassler | .... | producer | |
| Darryl F. Zanuck | .... | executive producer (uncredited) | |
Original Music by | |||
| Alfred Newman | |||
Cinematography by | |||
| Leon Shamroy | (director of photography) | ||
Film Editing by | |||
| Barbara McLean | |||
Art Direction by | |||
| James Basevi | |||
| Richard Day | |||
Set Decoration by | |||
| Thomas Little | |||
Costume Design by | |||
| Earl Luick | |||
Makeup Department | |||
| Guy Pearce | .... | makeup artist | |
Production Management | |||
| William Koenig | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Albert R. Broccoli | .... | assistant director (uncredited) | |
| Henry Weinberger | .... | assistant director (uncredited) | |
Sound Department | |||
| Roger Heman Sr. | .... | sound (as Roger Heman) | |
| George Leverett | .... | sound | |
Special Effects by | |||
| Fred Sersen | .... | special photographic effects (uncredited) | |
Camera and Electrical Department | |||
| John Hamilton | .... | location photographer (uncredited) | |
| Ray Rennahan | .... | location photographer (uncredited) | |
| Irving Rosenberg | .... | location photographer (uncredited) | |
| Cliff Shirpser | .... | assistant camera: Technicolor (uncredited) | |
| Al Thayer | .... | location photographer (uncredited) | |
| Paul Uhl | .... | location photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Sam Benson | .... | wardrobe (uncredited) | |
Music Department | |||
| David Buttolph | .... | composer: additional music (uncredited) | |
| Maurice De Packh | .... | orchestrator (uncredited) | |
| Hugo Friedhofer | .... | composer: additional music (uncredited) | |
| George Parrish | .... | orchestrator (uncredited) | |
| Edward B. Powell | .... | orchestrator (uncredited) | |
| Conrad Salinger | .... | orchestrator (uncredited) | |
| Herbert W. Spencer | .... | orchestrator (uncredited) | |
Other crew | |||
| Henri Jaffa | .... | associate technicolor director | |
| Natalie Kalmus | .... | technicolor director | |
| Lionel Bevans | .... | dialogue director (uncredited) | |
| Fred Cavens | .... | fencing instructor (uncredited) | |
| William Gallagher | .... | production assistant (uncredited) | |
| Harold Godsoe | .... | technical advisor (uncredited) | |
| Ray C. Moore | .... | location manager (uncredited) | |
| Harold Lloyd Morris | .... | technical advisor (uncredited) | |
| Robert D. Webb | .... | location director (uncredited) | |
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| The Secret of Treasure Island | Jamaica Inn | Pirates of the Caribbean: Dead Man's Chest | The Spanish Main | Pirates of the Caribbean: The Curse of the Black Pearl |
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The Black Swan And The Mark of Zorro show Tyrone Power at the height of his career. This was the Tyrone Power that the public wanted to see, but who he got tired of being. He was constantly after 20th Century Fox and Darryl Zanuck to give him more challenging roles.
Jamie Warring is another of Power's patented hero/heel characterizations. When we first meet him, Power's a totally unrepentant scalawag who has but one virtue, loyalty to the former pirate leader Henry Morgan. Morgan by all accounts was an effective and charismatic leader both in this film and in history. But that leadership is put to the test when the British government decides he's the only man capable of dealing with his former compatriots.
Laird Cregar as Morgan makes a plea for the group to turn honest. But there's a fly in the ointment. A dissident group led by George Sanders and Anthony Quinn don't want to give up the pirate lifestyle. It's up to Morgan, Power and the rest to then eradicate them.
Power at his hero/heel best is not above forcing his attentions on Maureen O'Hara the daughter of the former governor of Jamaica. Those attentions gradually move from the unwanted to the very much wanted, especially after Power and O'Hara are captured by Sanders. For the rest, well as they you just have to tune in.
The Black Swan deservedly won Oscars for special effects and color cinematography. It's unfortunate that today there are so few actors capable of playing the swashbuckling hero the way Ty Power could. He may have wanted to do more, but Darryl Zanuck knew exactly what the public wanted to see Tyrone Power in. It's worth a look.