The Big Street (1942)

Little Pinks is in love with a nightclub singer named Gloria. But it is a unrequited love as she does not know that he exists. Pinks is a shy busboy and Gloria only goes out with men who ... See full summary »

Director:

Irving Reis

Writers:

Leonard Spigelgass (screenplay), Damon Runyon (story)

Stars:

Henry Fonda, Lucille Ball, Barton MacLane

Cast

Complete credited cast:
Henry Fonda	...	Agustus 'Little Pinks' Pinkerton, II
Lucille Ball	...	Gloria Lyons
Barton MacLane	...	Case Ables
Eugene Pallette	...	Nicely Nicely Johnson
Agnes Moorehead	...	Violette Shumberg
Sam Levene	...	Horsethief
Ray Collins	...	Professor B
Marion Martin	...	Mimi Venus
William T. Orr	...	Decatur Reed (as William Orr)
George Cleveland	...	Colonel Samuel Venus
Vera Gordon	...	Mrs. Lefkowitz
Ozzie Nelson and Orchestra	...	Orchestra

Storyline

Little Pinks is in love with a nightclub singer named Gloria. But it is a unrequited love as she does not know that he exists. Pinks is a shy busboy and Gloria only goes out with men who are loaded. When she tries to dump Case for richer Reed, Case dumps her down the stairs. After months of treatment, she will never walk, but Pinks is the only one who takes care of her. He pays all her bills and sends her flowers with unsigned cards. But to Gloria, he is nothing in her eyes. When she wants to leave New York for Florida, to be with the money set, he takes her.

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Plot Keywords:

nightclub | singer | busboy | unrequited love | self sacrifice | 

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Taglines:

"I LOVE LUCILLE"...That's what everybody says! (re-release print ad)

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Genres:

Drama | Romance

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

4 September 1942 (USA)

Also Known As:

Damon Runyon's The Big Street

Filming Locations:

Miami, Florida, USA

Company Credits

Production Co:

RKO Radio Pictures

Technical Specs

Runtime:

88 min

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Some cast members in studio records/casting call lists did not appear or were not identifiable in the movie. These were (with their character names): Elliott Sullivan (Tramp), Al Hill (Tramp) and Donald Kirke (Surgeon).

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Quotes

Gloria Lyons: Love is something that gets you one room, two chins and 3 kids.

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Connections

Referenced in Hollywood Mouth (2008)

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Soundtracks

"Who Knows?"
(1942)
Music by Harry Revel
Lyrics by Mort Greene
Performed by Lucille Ball at the New York nightclub
Reprised by her with Ozzie Nelson and Orchestra at the Florida nightclub (Vocals for Miss Ball by Martha Mears)
Played often in the score

User Reviews

If you don't like it, then you don't get it...

...and that's not the movie's fault. Those who've panned The Big Street and this review say more about themselves than the movie.

Damon Runyon was a beloved chronicler of a microcosm that no longer exists - the street life of New York's Broadway district, during its heyday, when it was known as The Great White Way or The Big Street. You will never see characters like Runyon's anywhere else in literature or film. The closest are perhaps to be found in Dickens, say, the souls who populate the London of Mr. Pickwick.

Other comments, who have been put off by the dialog finding it saccharine or phony, don't understand the special language Runyon uses for his characters, the picaresque vernacular of the small-time Broadway hustlers, promoters, racetrack touts and "professors," whose schemes and rackets are cloaked with highfalutin patter.

Among the steady, low-level service people who interface with these demi-mondes is Little Pinks, "the best busboy in the whole wide world". Pinks (Henry Fonda), has a good heart and the misfortune of falling head-over-heels for a gangster's moll, played against type by Lucille Ball, who has none of the former (good heart) and plenty of the latter (misfortune). Devoted to a fault, Pinks acts as her guardian angel, from her pinnacle, all the way to her pitiful decline and fall. Director Irving Reis, knows how to keep his material from becoming mired in bathos by using Runyon's whimsy and humor and the most delightful character players in Hollywood, from Eugene Palette and Agnes Moorehead to Ray Collins, Louis Beavers and Hans Conried.

"The Big Street" faithfully recreates Runyon's world and its inhabitants. Like all of his stories, it is a parable, and like all parables it teaches a lesson. But the lesson is delivered gently, never preaching. The most moving moment comes in the final scene, at once tragic and triumphant. The tragedy is apparent. But the triumph, the triumph of love over all, is apparently lost on the idiots who have panned this gem.