Pete Fleming and his quartet, which includes himself, Ollie Barrett, ""Simpson and "Beans" Smith, fail to make good on the radio, so Pete becomes a tourist guide. He escorts the wealthy Mrs... See full summary »
When Public Enemy No. 3 Sonny McGann meets composer Bob Gunther, he gets the idea of having Bob write music to a poem he has written about his long-lost sweetheart Sadie McGlonsky. ... See full summary »
Albert S. Rogell
Arthur Peyton, sole owner of Peyton Frocks,Inc., is wrestling with a multitude of problems; slow sales, slower collections and a son, Andy, who wants to write stage revues. Andy is being ... See full summary »
The shooting and murder of two guest stars at the Shady Ridge Summer Theatre, operated by Joan Barry, threatens to close the musical "Fun For All." To bolster the show, Joan induces Bill Edwards, who shares joint ownership with her, of the farm the theatre is located on, and Sheriff McKenzie, to hire the Jolly Jesters. They steal the show and, along the way, uncover a spy ring and a bullet-shooting clarinet. Written by
Les Adams <email@example.com>
[When The Jolly Jesters learn that the performers they are replacing were murdered during the previous night's performance they bolt town]
Imagine them calling the show "Fun for All".
I'm glad we got out of there before they called it "Three Men in a Hearse".
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Hey, finally the Ritz boys put to good use. Actual characters rather than just a backdrop for a boring love story. The Three Jolly Jesters are brought in after two killings two nights in a row at a theater in the Berkshires. They are the only ones pathetic enough to take the job replacing the dead acts. As plots go, this one is entirely idiotic. William Demarest is his usual loud and angry self, and the degree to which he puts the Ritz Boys and others in the show in harm's way in order to solve his crime is a bit offensive. Yes, it's a wacky comedy, but this plot point could have been less moronic. Plot aside, the Ritz boys get a good deal of screen time, clowning as well as singing/hoofing. They do a number saluting Charles Atlas and one mocking Ted Lewis. They get good lines and bits, including one meta-gag where they actually refer to the Ritz Brothers. Good, loud big band music all around.
Al and Jimmy, who are normally just window dressing to Harry, actually stand out a bit with their own lines. Still can't tell the two apart, but oh well. Bottom line for fans: This movie, while brief and nonsensical gives you more Ritz Brothers for your money than any film I've yet seen. I'd put it next to Kentucky Moonshine as one of their best.
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