With the help of a smooth talking tomcat, a family of Parisian felines set to inherit a fortune from their owner try to make it back home after a jealous butler kidnaps them and leaves them in the country.
The animated story of Bambi, a young deer hailed as the 'Prince of the Forest' at his birth. As Bambi grows, he makes friends with the other animals of the forest, learns the skills needed to survive, and even finds love. One day, however, the hunters come, and Bambi must learn to be as brave as his father if he is to lead the other deer to safety. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
Sidney Franklin originally initiated "Bambi" as a film project in 1933, envisioning it as a live action film. He had even gone to the stage of recording Margaret Sullavan and Henry Fonda's voices. Eventually he realized that the technology simply wasn't adequate enough to make the film. After seeing Snow White and the Seven Dwarfs (1937), it dawned on Franklin that there was someone who could realize "Bambi" as a movie. So he contacted Walt Disney who immediately leaped at the idea of working on the project. Disney started work on the film in 1936, though he was also developing Fantasia (1940), Dumbo (1941) and Pinocchio (1940) at the same time. All this explains why there is a dedication in the film's opening credits "To Sidney A. Franklin - our sincere appreciation for the inspiring collaboration". See more »
In the meadow scene Faline's eyes change from blue to brown, then back to blue in later scenes. See more »
Disney's Truest Masterpiece--Man Is In The Forest!
From the opening scene where the multiplane camera glides through a quiet forest until the stirring forest fire climax, a viewer has to be aware he is watching one of the all-time great films. So much of the cycle of life is covered that it's hard to realize the film is a mere 69 minutes. In a book called 'The Making of Bambi', Ollie Johnston reveals that originally there was much more footage that Disney eventually trimmed, cutting out whole sequences before the film previewed. Obviously, he made a wide decision.
There is no extraneous scene here, it moves seamlessly through its cycle of life story with the charming animal creatures carrying the story to its logical conclusion. The background music complements all of the drama and comedy. The storm sequence is the most beautiful blend of music and drawings ever achieved by the Disney artists. The naturally drawn deer are the result of months of careful preparation and study, giving the entire film the feel of a nature study as well as giving the audience great entertainment.
The choral work is extremely effective, particularly on songs like 'Love Is A Song' (Oscar nominated), 'I Bring You A Song' and 'Little April Shower'. The impressionistic forest glows with a life of its own and is the real star of the film, thanks to the influence of Japanese artist Tyrus Wong. No wonder this was Disney's favorite film. It will stay fresh and young forever. An awesome achievement!
In conclusion, having done some choral work myself as a glee club singer, I especially appreciated the great contribution made by the mixed chorus (male/female) that does such a wonderful job on all of the choruses that blend so seamlessly with the rich background score. Truly exceptional choral vocals conducted by Charles Henderson.
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