With the help of a smooth talking tomcat, a family of Parisian felines set to inherit a fortune from their owner try to make it back home after a jealous butler kidnaps them and leaves them in the country.
The animated story of Bambi, a young deer hailed as the 'Prince of the Forest' at his birth. As Bambi grows, he makes friends with the other animals of the forest, learns the skills needed to survive, and even finds love. One day, however, the hunters come, and Bambi must learn to be as brave as his father if he is to lead the other deer to safety. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
Six-year-old Peter Behn auditioned with several other children for the voice roles of Mother Rabbit's children. When Behn said the line (in reference to Bambi), "Did the young prince fall down?", a casting director who was watching the audition in another room shouted, "Get that kid out of here! He can't act!" However, the Disney animators who heard the audition tape loved the sound of Behn's voice. Behn was called back to the studio, and the character of Thumper was created largely based on his vocal performance. See more »
Also during the fire sequence Faline awakes with brown eyes, instead of her usual blue, they remain brown all through the dogs/fire sequence and return to blue when she is at the thicket with her new babies. See more »
Walt Disney didn't make another full-length animated film until 1950, by which time his golden age had well and truly passed. Was `Bambi' a quiet, gentle farewell, then? If you haven't seen it you could be forgiven for thinking so; and the slightly over-sugared opening scenes might confirm this view. But prepare to be jolted out of your seat. The forest contains darkness as well as light. The gunshots that ring out across the silences are truly alarming (and there are many ways Disney and Hand make them more alarming: consider the scene where a flock of birds are cowering in the grass, until one decides to fly into the air and risk death rather than put up with the suspense). Also worth noting about `Bambi' is its use of psychological colour. In at least three key scenes, the colour scheme shifts wildly, not because the sun has set or anything of that kind, but in order to illustrate Bambi's psychological state. Particularly fine is the scene where he is running away from the clearing in fear and the world turns into just a few pale and dirty shades of yellow.
The greatest thing is the way Disney manages to convince us that there is nothing else in the world, outside the forest. Not once do we see a horizon. Nor do we sense one. By some standards not much happens in the forest - a few deaths, a few births, what else is new? But when the forest is the whole world they matter a good deal.
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