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Across the Pacific (1942)

6.9
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Ratings: 6.9/10 from 2,713 users  
Reviews: 53 user | 18 critic

Rick Leland makes no secret of the fact he has no loyalty to his home country after he is court-marshaled out of the army and boards a Japanese ship for the Orient in late 1941. But has ... See full summary »

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, (uncredited)

Writers:

(screenplay), (serial)
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Cast

Cast overview, first billed only:
...
...
...
Charles Halton ...
A.V. Smith
Victor Sen Yung ...
Joe Totsuiko (as Sen Young)
Roland Got ...
Lee Tung Foo ...
...
Capt. Morrison
Paul Stanton ...
Col. Hart
Lester Matthews ...
Canadian Major
John Hamilton ...
Court-Martial President
Tom Stevenson ...
Unidentified Man
Roland Drew ...
Capt. Harkness
Monte Blue ...
Dan Morton
Chester Gan ...
Capt. Higoto
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Storyline

Rick Leland makes no secret of the fact he has no loyalty to his home country after he is court-marshaled out of the army and boards a Japanese ship for the Orient in late 1941. But has Leland really been booted out, or is there some other motive for his getting close to fellow passenger Doctor Lorenz? Any motive for getting close to attractive traveller Alberta Marlow would however seem pretty obvious. Written by Jeremy Perkins {J-26}

Plot Summary | Plot Synopsis


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

5 September 1942 (USA)  »

Also Known As:

Aloha Means Goodbye  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Director John Huston went off to join the war effort before the film was finished, and Vincent Sherman directed the final scenes. See more »

Goofs

When Rick is using the machine gun, the end of the ammunition belt is clearly visible as he is firing. When he stands up a second later, the belt goes all the way to the ground. See more »

Quotes

Alberta Marlow: Mr. Leland, I believe that a man should tell the woman he's going to marry everything.
Rick Leland: Oh, in that case, I'll come clean.
Alberta Marlow: What?
Rick Leland: I look old, but that's because I've worried a lot. Actually, I haven't yet reached the age of legal consent, and if you don't get out of here, I'm gonna yell for help.
Alberta Marlow: All right, you can get yourself another heiress.
See more »

Connections

Referenced in Play It Again, Sam (1972) See more »

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User Reviews

 
A fine, but very flawed, definition of 40's Pulp
1 September 2005 | by See all my reviews

This serves as a nice companion piece to "The Maltese Falcon", but DON'T compare it the masterpiece or you won't enjoy it. Also, keep in mind, this was during the beginning of WWII (obviously), so expect your typical "all Japanese are evil" racial stereotypes. It is upsetting to see that films like these just heightened the US's paranoia, driving us to send everyone of Japanese descent to internment camps.

You're going to really enjoy this film if you've seen modern Pulp adventures like the Indiana Jones trilogy or Sky Captain (though don't expect to see ANY mystical/sci-fi elements involved). This has it all: a hard-boiled hero, exotic locales, constant plot twists and turns, colorful villains, and a mysterious woman.

Bogart, as (almost) always plays the same character he always plays. but boy, does he fit in SO well into this film. Mary Astor, while not the pretty face that she was built up to be here and in "The Maltese Falcon", gives another great performance, and unlike Bogart, she was always able to give characters in a similar vein (in this case, the mysterious woman), each their own personalities. Her Alberta Marlow is not at all like "schoolgirl" Brigid O'Shaughnessey, but (at least openly) tougher, a perfect match with Bogart during their exchanges of dialogue, while remaining to be extremely ambiguous, never making sure whether or not she's an ally or a femme fatale. When all is revealed, looking back on it things made perfect sense with her character's attitude.

Sydney Greenstreet adds another great villain to his own rogues gallery. Here he's a man obsessed with Japanese culture and way of life, so much that he has become apart of and accepted by "the enemy". Victor Sen Young, who played a great shark grinned scumbag in "The Letter", does good here, looking very happy that he at least was able to speak coherently for once in a motion picture.

Huston's direction is really worth looking at, especially visually stunning during a sequence at a movie theater. Without his obvious presence and Bogart, this film would have just been another propaganda story of espionage. Sadly, when he had to leave the film for war duty, the final scenes were shot by otherwise competent (but nothing special) director Vincent Sherman. The final 15 minutes seem extremely out of place with the rest of the film, and its a shame Huston wasn't around a little bit longer to round up what could have been a quintessential piece of a feature 40's pulp movie.

Worth seeing, its a film that falls short of greatness, but man is it entertaining.


17 of 26 people found this review helpful.  Was this review helpful to you?

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