Across the Pacific (1942)

Director:

John Huston

Writers:

Richard Macaulay (screenplay)
Robert Carson (serial)

Release Date:

5 September 1942 (USA)

Genre:

Action | Adventure | Drama | Romance | War

Plot:

Rick Leland makes no secret of the fact he has no loyalty to his home country after he is court-marshaled...

Plot Keywords:

Panama | Japanese | Panama Canal | Passenger | Movie Screen

Cast

Humphrey Bogart	...	Rick Leland
Mary Astor	...	Alberta Marlow
Sydney Greenstreet	...	Dr. Lorenz
Charles Halton	...	A.V. Smith
Victor Sen Yung	...	Joe Totsuiko (as Sen Young)
Roland Got	...	Sugi
Lee Tung Foo	...	Sam Wing On
Frank Wilcox	...	Captain Morrison
Paul Stanton	...	Colonel Hart
Lester Matthews	...	Canadian Major
John Hamilton	...	Court-Martial President
Tom Stevenson	...	Unidentified Man
Roland Drew	...	Captain Harkness
Monte Blue	...	Dan Morton
Chester Gan	...	Captain Higoto

Also Known As:

Aloha Means Goodbye (USA) (working title)

Runtime:

97 min

Country:

USA

Language:

English | Japanese

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Argentina:Atp | Australia:G | Canada:G (video rating) | Finland:K-16 | Sweden:15 | USA:Approved (PCA #8248)

Company:

Warner Bros. Pictures

Trivia:

The last-minute screenplay change from Pearl Harbor to the Panama Canal was not implausible. Until the mid 1930s US military exercises concentrated on defending the Panama Canal from air, amphibious & small craft attack and were extensively covered by the press.

Goofs:

Factual errors: The background for the opening titles is a map of the Panama Canal. The orientation of the map and the compass is correct, but the labeling of the map is incorrect. In fact, the Atlantic end of the canal and the city of Colon are at the upper left (Northwest), and the Pacific end of the canal and Panama City are at the lower right (Southeast). The map is correctly labeled behind the closing credits.

Quotes:

Alberta Marlow: We were discussing Philippine economics when we were so rudely interrupted.
Dr. Lorenz: My own field! Miss Marlowe was kind enough to listen to me.
Rick Leland: They're going to be free in 1946, aren't they?
Dr. Lorenz: They are - provided America does not insist on fighting a war with Japan. It's my opinion that that contingency is going to keep the Philippines from being free.
Alberta Marlow: Won't Japan gobble them up?
Rick Leland: No offense, but Japan or Canada or anybody else can have the Philippines as far as I'm concerned. It's hot in Manila!
Dr. Lorenz: Might even be hotter before long.
[...]

Movie Connections:

Referenced in The Projectionist (1971)

The Mysterious Girl From Medicine Hat

Across the Pacific is minor league stuff in the careers of both John Huston and Humphrey Bogart. It's clearly made as a wartime propaganda film. It certainly doesn't compare to The Maltese Falcon, The Treasure of the Sierra Madre, Key Largo, or The African Queen. It doesn't even have the redeeming feature of campiness that Beat the Devil has. The film is a product of the time.

That being said, it's certainly entertaining enough. On an action level it has more of it than The Maltese Falcon from which four cast members were retained. The four repeaters are Humphrey Bogart, Mary Astor, Sidney Greenstreet, and John Hamilton.

Bogart's not the existential private eye here. He's a cashiered army officer whose trial was really a fake. He's working undercover to find expose some Japanese American fifth columnists. His investigation takes him on a Japanese freighter that does carry passengers on the side. Two of those passengers are an Orientalist professor who teaches at the University of Manila, Sidney Greenstreet and a woman who claims to be from Medicine Hat, Mary Astor. Bogey spends the entire film trying to figure out not only what the dastardly scheme is, but just how Astor fits into it, because he's fallen for her.

World War II was the greatest time for employment for oriental players except Japanese ones. A goodly group is in this film, Kam Tong, Philip Ahn, Keye Luke and most of all Victor Sen Yung.

Until he played Hop Sing, Ben Cartwright's Chinese cook in Bonanza, Sen Yung was best known for being Charlie Chan's son under a few different Chans. But his role as Joe Tatsuito in this film was pretty good work also.

Sen Yung is a hip, jive talking Nisei who is supposed to be a deadly killer. Since he's already identified as such before we actually meet him, there is an aura of menace about Sen Yung even when he's at his friendliest.

Sidney Greenstreet as a scholar has become so immersed in Japanese culture and tradition that it has taken him right over the line into treason. Greenstreet is a talker like Casper Guttman in The Maltese Falcon, but in the end he can't walk the walk.

What was also happening in 1942 was that we were interning Japanese civilians that year. I don't think Victor Sen Yung being Chinese himself and knowing what the Japanese were doing in the home of his ancestors had any qualms about portraying a man on screen that seemed to be the living justification for such a policy. I've never heard of Across the Pacific being discussed specifically as a propaganda piece for that policy. Nor do I ever remember John Huston ever being questioned about it. Not that he had anything to do with the decision for internment, but it would have been nice to hear his feelings on the subject vis a vis Across the Pacific.

Huston didn't even stick around for the finish of Across the Pacific, it was completed under different hands. He went off to the service where he did some really fine documentaries that have stood the test of time.

Better than Across the Pacific has.