7.2/10
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A Woman's Face (1941)

Passed | | Drama, Film-Noir, Thriller | 9 May 1941 (USA)
A female blackmailer with a disfiguring facial scar meets a plastic surgeon who offers her the possibility of looking like a normal woman.

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Writers:

(play) (as Francis De Croisset), (screen play) | 1 more credit »
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Cast

Cast overview, first billed only:
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Emma Kristiansdotter
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Connie Gilchrist ...
Christina Dalvik
Richard Nichols ...
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Eric
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Gusta
Clifford Brooke ...
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Defense Attorney
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Judge
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Storyline

Anna Holm is a blackmailer, who because of a facial scar, despises everyone she encounters. When a plastic surgeon performs an operation to correct this disfigurement, Anna becomes torn between the hope of starting a new life, and a return to her dark past. Written by Kelly

Plot Summary | Add Synopsis

Taglines:

The Best Picture Of 1941 See more »


Certificate:

Passed | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

9 May 1941 (USA)  »

Also Known As:

Erpressung  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on November 2, 1942 with Conrad Veidt reprising his film role. See more »

Goofs

When Anna first discusses the potential murder of the child, she alternately has her arms crossed in front of her chest, and outstretched holding a cigarette. See more »

Quotes

[first lines]
Police Matron: That's a fine trick. You know the prisoner's afraid of fire.
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Connections

Referenced in Hollywood Mouth 3 (2017) See more »

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User Reviews

 
Garbo's loss - Crawford's gain
11 January 2006 | by (United States) – See all my reviews

Thanks to "A Woman's Face," Joan Crawford's slumped career had a badly needed revival, and Greta Garbo's career ended. Garbo had a choice of "A Woman's Face" or "Two-Faced Woman," but she refused to play a character with a deformity. So she made the disastrous "Two-Faced Woman" instead and retired, her face free of scars and her life free of films.

Ingrid Bergman made the original movie in Sweden, and in the hands of MGM, it translated quite well with a superb performance from Joan Crawford, perhaps the best of her career, as a scarred, bitter woman who makes her living from blackmail. Her story is told in a series of flashbacks, as each character testifies at the woman's trial.

The performances, from MGM's able stable, are very good - Melvyn Douglas as a doctor, Conrad Veidt as an evil man who wants to use Crawford for his own ends (he described himself in this film as "Lucifer in a tuxedo"), Osa Massen, Albert Basserman, Donald Meek, Henry Daniell, George Zucco, and Marjorie Main. Richard Nichols, as the little boy Lars-Erik, sports the same southern accent in Sweden as he did in France in "All This and Heaven, Too." Crawford is excellent, and one wonders if the role of Anna didn't strike a chord with her given her difficult childhood. Under Cukor's direction, she handles the role beautifully.

A very good movie, and an exciting sleigh ride at the end that you won't want to miss.


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