Count Alucard (read his name backwards) finds his way from Budapest to the swamps of the Deep South; his four nemeses are a medical doctor, a university professor, a jilted fiancé and the woman he loves.
Lon Chaney Jr.,
Upon the death of his brother, Larry Talbot returns from America to his ancestral home in Wales. He visits a gypsy camp with village girl Jenny Williams, who is attacked by Bela, a gypsy who has turned into a werewolf. Larry kills the werewolf but is bitten during the fight. Bela's mother tells him that this will cause him to become a werewolf at each full moon. Larry confesses his plight to his unbelieving father, Sir John, who then joins the villagers in a hunt for the wolf. Transformed by the full moon, Larry heads for the forest and a fateful meeting with both Sir John and Gwen Conliffe. Written by
Doug Sederberg <firstname.lastname@example.org>
In many a distant village, there exists the Legend of the Werewolf or Wolf Man, a legend of a strange mortal man with the hair and fangs of an unearthly beast... his hideous howl, a dirge of death! See more »
Jack P. Pierce achieved the Wolf Man's iconic makeup primarily with a rubber nose and yak hair which was singed with a curling iron and attached to Lon Chaney Jr.'s face, arm, and legs with spirit gum. See more »
When Larry starts to transform for the first time, he has removed his medium-shade suit jacket, tie, shirt, shoes and socks, leaving him in an undershirt and the suit's trousers. Somehow, after his transformation into the Wolf Man he is wearing a dark, long-sleeve shirt and matching trousers. However, when he regains his normal form with no memory of what has happened, Larry notices his different clothes, although this mysterious change is almost immediately forgotten and never explained. See more »
The Wolf Man is a film about a man bitten by a werewolf condemned to live the life of his antagonist. Lon Chaney Jr. does an awfully good job transcending the traditional monster out to get everyone with a humane, sympathetic portrait of the titular lycanthrope. This is Universal Studios at its best with a good old-fashioned horror yarn, excellent acting, particularly by supporting cast members Claude Rains, Evelyn Ankers, Bela Lugosi, and the outstanding Maria Ouspenskaya as the old and wise gypsy woman, wonderful sets complete with swirling fog, and special effects that were new and fresh in 1941. This film is fast-paced and deserves its rank as one of the great Universal horror classics.
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