In nineteenth century middle-Europe, orphaned teenage twins Maria and Frieda go to live with their uncle Gustav Weil, who heads the Brotherhood, a vigilante group trying to stamp out ... See full summary »
Upon the death of his brother, Larry Talbot returns from America to his ancestral home in Wales. He visits a gypsy camp with village girl Jenny Williams, who is attacked by Bela, a gypsy who has turned into a werewolf. Larry kills the werewolf but is bitten during the fight. Bela's mother tells him that this will cause him to become a werewolf at each full moon. Larry confesses his plight to his unbelieving father, Sir John, who then joins the villagers in a hunt for the wolf. Larry, transformed by the full moon, heads for the forest and a fateful meeting with both Sir John and Gwen. Written by
Doug Sederberg <email@example.com>
Larry's silver wolf-headed cane, the only known surviving prop from the movie, currently resides in the personal collection of genre film archivist Bob Burns. Burns, who was a schoolboy at the time, was given the cane head by the man who made it for the film, prop-maker Ellis Burman. See more »
When Larry looks through the telescope at the beginning of the movie, the image is shown is right-side up. Astronomical telescopes turn the image upside-down. While they can be fitted with a special prism to turn the image right-side up, they usually are not since usually there is no practical reason to do so. See more »
Lon Chaney portrays psychological torment, guilt, and conflict so well in this film. These feelings are so absent in this century. Larry Talbot, in contrast to public officials and corporate executives, wants to do the right thing, and feels remorse at the suffering that he has caused. Chaney also does this in his later Inner Sanctum films. Maria Ouspenskaya is also great as Maleva, the gypsy. And the music is also marvelous. Films as these put contemporary horror films to shame. The former are fun and a pleasure to watch. This one is quite good.
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