Eddie Haines is a radio reporter with Station KBC. He is always getting the scoop, which infuriates those at the New York Star, which happens to employ his ex-girlfriend Mary Bradley. But ... See full summary »
The operators of 'Silver Haven', a cultish group bilking gullible rich people out of money, is set to inherit a large sum after the deceased woman's heir also dies. Leader Joesph Jones decides to hurry the process along and kidnaps Wally Benton, his fiance and a friend to further this goal. Wally is "The Fox", a radio sleuth who solves murders on the air. Jones wants him to devise a perfect murder and isn't above killing others sloppily along the way to get his foolproof murder plot. Written by
Ron Kerrigan <firstname.lastname@example.org>
This film was first telecast in Los Angeles Monday 25 March 1957 on KTTV (Channel 11); its San Francisco television premiere took place 28 June 1958 on KGO-TV (Channel 7); in New York City its earliest documented airing took place 7 February 1960 on WCBS (Channel 2). See more »
The murder plan calls for Gordon Thomas to go to Kansas City to catch the same plane that intended victim Harvey Upshaw is taking to New York. But when the plane to New York is shown taking off, the airport sign on the terminal is reversed (mirror image) AND it says "Chicago Municipal Airport." See more »
Skelton makes promising debut as star but flat one-liners don't help...
You have to be awfully patient to sit through a film with one-liners so flat and unfunny that you wonder what all the fuss was about when WHISTLING IN THE DARK opened to such an enthusiastic greeting from audiences in the 1940s.
On top of some weak one-liners and ordinary sight gags, the plot is as far-fetched as the tales The Fox (Red Skelton) tells his radio audience. You have to wonder why anyone would think he could come up with a real-life solution on how to commit the perfect crime and get away with it. But then, that's how unrealistic the comedy is.
But--if you're a true Red Skelton fan and enjoy a look back at how comedies were made in the '40s--you can at least enjoy the amiable cast supporting him. Ann Rutherford and Virginia Grey do nicely as his love interest and Conrad Veidt, as always, makes an interesting villain. One of his more amusing moments is his reaction to Skelton explaining the mysteries of wearing turbans. "I never knew that," he muses, impressed by a minor point that is cleverly introduced.
All in all, typical nonsense that requires you to accept the lack of credibility and just accept the gags as they are. Not always easy for a discriminating viewer as many of them simply fall flat, the way many comedies of this era do because the novelty of the sight gags and one-liners has simply worn off.
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