Harald Berger and his Indian lover, the temple dancer Seetha, desperately flee from the shikaris (cavalry) of Eschanapur's maharajah Chandra, who burn a whole village just for letting them ... See full summary »
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
Reporter Peter Barter gets murdered while driving to his tv station. Commisioner Kras gets a phone call from clairvoyant Cornelius who saw Barters death in a vision. But a dark force ... See full summary »
Peter van Eyck,
After a drunken binge on the San Pablo waterfront, longshoreman Bobo fears he may have killed a man. In his uncertainty, he takes a job on an isolated bait barge. That night, he rescues ... See full summary »
After Siegfried's dead, Kriemhild marries Etzel, the King of the Huns. She gives birth to a child, and invites her brothers for a party. She tries to persuade Etzel and the other Huns, that... See full summary »
Kay Hoog wants to stop the organisation "Die Spinnen" to get a certain diamond, that will give the owning woman the crown of Asia, but the man, who should be the owner of that diamond, ... See full summary »
Vance Shaw gives up outlawing and goes to work for the telegraph company; his brother Jack Slade leads outlaws trying to prevent the company connecting the line between Omaha and Salt Lake City. Lots of Indian fighting and gunplay. Written by
Ed Stephan <firstname.lastname@example.org>
Studio publicity noted that Fox contract star Henry Fonda had served as technical adviser on the film, due to his experience as a young man working as a lineman. Fonda's "technical advisory" capacity was most certainly a publicity fiction, and in any event Fonda was not credited on the film itself. See more »
When Creighton leaves on the stage after his accident, his left ankle is bandaged and he is favoring his left foot. When we later see him walk with a cane, he is favoring his right foot. See more »
No one ever really believed that Randolf Scott was a gun toter; he seemed too gentle for that. But the veneer of respectability he gave to his roles helped reinforce the western morality of good superceding evil. Nowhere is this poetry more evident as in Western Union , directed by one of film noir's most gifted geniuses Fritz Lang, here working equally adeptly in colour. The shot of unfinished telegraph lines snaking away into twilight oblivion leaves lasting impressions.
This western prophecies the long professional relationship between producer Nat Holt and Randolf Scott which ran from 1946 and turned out cliché-westerns which weren't cliches at the time, and which, with practice improved till there was a kind of visual poetry about them. This isn't the history of Western Union, the way the western isn't the history of the old west. But it seems to relate a kind of truth, and that's what matters.
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