An altruistic department-store owner hires ex-convicts in order to give them a second chance at life. Unfortunately, one of the convicts he hires recruits two of his fellow ex-convicts in a plan to rob the store.
A western based on the story "Gunsight Whitman" by Silvia Richards. Vern Haskell, a nice rancher, seeks out to avenge his fiancé's death when she is killed during a robbery. His revenge ... See full summary »
An architect travels to the remote city of Eschnapur to oversee some work being done at the bequest of the local Maharajah. Along the way the architect meets and falls in love with a ... See full summary »
Harald Berger and his Indian lover, the temple dancer Seetha, desperately flee from the shikaris (cavalry) of Eschanapur's maharajah Chandra, who burn a whole village just for letting them ... See full summary »
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
British hunter Thorndike vacationing in Bavaria has Hitler in his gun sight. He is captured, beaten, left for dead, and escapes back to London where he is hounded by German agents and aided by a young woman.
Vance Shaw gives up outlawing and goes to work for the telegraph company; his brother Jack Slade leads outlaws trying to prevent the company connecting the line between Omaha and Salt Lake City. Lots of Indian fighting and gunplay. Written by
Ed Stephan <email@example.com>
Originally, Laird Cregar was cast in this film in an undetermined role (possibly that of Doc Murdoch), but was unable to do the film due to an unfinished other project. He was replaced by George 'Gabby' Hayes, but Hayes then became ill and was himself replaced. See more »
During the speeches before they start stringing the telegraph wires, all the flags are 48-star flags. There were only 35 states in the Union in 1861. See more »
No one ever really believed that Randolf Scott was a gun toter; he seemed too gentle for that. But the veneer of respectability he gave to his roles helped reinforce the western morality of good superceding evil. Nowhere is this poetry more evident as in Western Union , directed by one of film noir's most gifted geniuses Fritz Lang, here working equally adeptly in colour. The shot of unfinished telegraph lines snaking away into twilight oblivion leaves lasting impressions.
This western prophecies the long professional relationship between producer Nat Holt and Randolf Scott which ran from 1946 and turned out cliché-westerns which weren't cliches at the time, and which, with practice improved till there was a kind of visual poetry about them. This isn't the history of Western Union, the way the western isn't the history of the old west. But it seems to relate a kind of truth, and that's what matters.
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