Nan Spencer is on a boat bound for Havana which runs aground. The man sent to rescue her is engaged and she doesn't understand his disinterest. Gambler is interested, to the annoyance of his girlfriend.
The oddly-assorted Hart cousins: revue singer Blossom, con man Harry, and machinist Chiquita (who gets radio through her teeth!), inherit southern plantation Magnolia Manor, which alas ... See full summary »
Songwriters Calhoun and Harrigan get Katie and Lily Blane to introduce a new one. Lily goes to England, and Katy joins her after the boys give a new song to Nora Bayes. All are reunited ... See full summary »
A ship company employee, Jay Williams, is sent to Florida where one of the company cruise ships is stuck on a reef off of the coast. He obtains waivers from all of the passengers with the exception of Nan Spencer, a department store salesgirl who wants her vacation NOW, not later. Jay is instructed to take Nan to Havana and set her up in the best hotel and keep her entertained. She visits a night club where the star attraction is Rosita Rivas, and meets Rosita's worthless manager, Monte Blanca, who makes a play for her. Trouble also comes in the form of Jay's fiancée, Terry McCracken, when a romance develops between Nan and Jay. Written by
Les Adams <firstname.lastname@example.org>
Chris-Pin Martin was billed ninth despite the fact that his role consisted of a thirty second wordless bit. The billing may be explained by Hollywood's new reliance on the Latin-American market with the outbreak of WWII. See more »
I know this is going to offend a lot of fans, but "Weekend in Havana" does not come anywhere near "Down Argentine Way" or "That Night in Rio" both of which were made around the same time. Certainly, Carmen Miranda (the main attraction of the movie) has more to do in this, bus the talent of Alice Faye is wasted, and I felt it needed someone like Charlotte Greenwood to really lift the tempo and interest. No need to recap the story as it is one that has been done before many times, but I do give full marks for the Technicolor which was absolutely brilliant (in more ways than one!). John Payne and Caesar Romero were adequate, and it was good fortune to have some of the standard actors in Leonid Kinsky, Billy Gilbert and Sheldon Leonard to help move it along.
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