Edna marries Texan Sam Gladney, operator of a wheat mill. Edna discovers by chance how the law treats children who are without parents and decides to do something about it. She opens a home... See full summary »
An actor, Paul Orman, is accidentally told that his new, custom made tail coat has been cursed and it will bring misfortune to all who wear it. As the 4 succeeding wearers of the coat ... See full summary »
Engineer Johnny Munroe is enlisted to build a railroad tunnel through a mountain to reach mines. His task is complicated, and his ethics are compromised, when he falls in love with his ... See full summary »
Norah is very rich, owns her own shipyard and has Sylvia double for her at all outside functions. But Sylvia is now married and wants to go to Washington with her new husband while Norah's ... See full summary »
Rene is broke and Kay is a rich actress visiting Paris. They meet, share a cab and dinner. He is smitten by her, but she leaves for London and he follows. At her house, when he cooks the ... See full summary »
The City of Chicago is gripped by an Axe Murderer. The streets are empty at night as there has been six murders and six people have been caught, but they are lunatics. Only one person has ... See full summary »
Newspaperman Bruce Corey returns from World War I with new ideas and wants to start his own tabloid. For want of other financing, he takes on as silent partner Merrill Lambert, gangland gambling kingpin. Thus is born the New York Mercury. Though its standards are not of the cleanest, Corey does fight to keep his paper's voice independent of Lambert. The two men's clash reaches a climax just as unsuspecting young reporter Tommy becomes Lambert's rival for lovely Gail Fenton. Written by
Rod Crawford <email@example.com>
The opening scene of the movies shows a newspaper headline "Whole City Out to Welcome A.E.F." The AEF was The American Expeditionary Forces, what the United States Armed Forces sent to Europe in World War I - a combination of the Army and the Marines to fight in France alongside French and British allied forces in the last year of the war, against Imperial German forces. See more »
Another great Edward G. Robinson performance in an entertaining film about a hard driven newspaper man,with fine performances all around. However,what gets me is this: Why place a film in a period setting and ignore aspects of that setting? In this case,this 1941 film was set in 1919. Besides a few indiscretions like inappropriate hairstyles on the women,at one point Marsha Hunt sings After You've Gone in a 1940's swing style with a big band(this is at about 15 years before the "Big Band Era"!) Funny...this film was made only twenty years after the story takes place...no one remembered what things were like? I am reminded of a similar problem(although much worse)in the Gene Krupa Story,where we had "boppy"soloists in the "twenties"! If film makers want contemporary hairstyles,music,etc.,why make a period film?
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