While at a ski lodge, Larry Blake sees instructor Karin Borg and decides to sign up for private lessons. The next thing he knows, she is Mrs. Blake. When he announces that he is going back ... See full summary »
While at a ski lodge, Larry Blake sees instructor Karin Borg and decides to sign up for private lessons. The next thing he knows, she is Mrs. Blake. When he announces that he is going back to work on his magazine in New York the next day, Karin refuses to go with him. She later comes to New York, buys expensive clothes, and goes to meet him when she sees he is with old flame Griselda. Caught by Blake's business partner, O.O. Miller, before she can leave, she explains that she is really Karin's twin sister Katherine. Hard to believe, but that is what she tries to make everyone, including Larry, believe. Larry, however, has serious doubts, but plays the game to the hilt as the worldly Katherine tries to take him away from both Griselda and Karin. Written by
Tony Fontana <email@example.com>
I liked Garbo in this. It's not much of a film but she is wonderful to behold. She's certainly up there with Claudette Colbert, Jean Arthur, Carole Lombard and Irene Dunne. Personally Babs Stanwyck and Myrna Loy are the absolute stars of screwball but it's a shame Garbo didn't make a few more comedies to attest to her versatility, in the same way that Dietrich proved herself so much more than Von Sternberg's mannequin. If you look at the comedy of the era - the classic screwball - it's a very modern type of comedy and even some of the lesser entries play quite well now, especially as we are so used to American TV's sitcoms re- popularising the genre (Frasier being one of the best). I find screwballs of the 35-42 period are funnier now than most current comedies, Two-Faced Woman included.
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