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Two-Faced Woman (1941)

 -  Comedy | Romance  -  2 March 1942 (UK)
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Ratings: 6.4/10 from 891 users  
Reviews: 28 user | 14 critic

While at a ski lodge, Larry Blake sees instructor Karin Borg and decides to sign up for private lessons. The next thing he knows, she is Mrs. Blake. When he announces that he is going back ... See full summary »



(play), (screenplay), 2 more credits »
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Title: Two-Faced Woman (1941)

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Complete credited cast:
Karin Borg Blake
Lawrence 'Larry' Blake
Griselda Vaughn
Oscar 'O. O.' Miller
Dick 'Dickie' Williams
Miss Ruth Ellis, Larry's Secretary
Frances Carson ...
Miss Dunbar


While at a ski lodge, Larry Blake sees instructor Karin Borg and decides to sign up for private lessons. The next thing he knows, she is Mrs. Blake. When he announces that he is going back to work on his magazine in New York the next day, Karin refuses to go with him. She later comes to New York, buys expensive clothes, and goes to meet him when she sees he is with old flame Griselda. Caught by Blake's business partner, O.O. Miller, before she can leave, she explains that she is really Karin's twin sister Katherine. Hard to believe, but that is what she tries to make everyone, including Larry, believe. Larry, however, has serious doubts, but plays the game to the hilt as the worldly Katherine tries to take him away from both Griselda and Karin. Written by Tony Fontana <>

Plot Summary | Add Synopsis


Go gay with Garbo! See more »


Comedy | Romance


Approved | See all certifications »




Release Date:

2 March 1942 (UK)  »

Also Known As:

The Twins  »

Box Office


$316,000 (estimated)

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Greta Garbo's last film. See more »


Katherine Borg: I like older men. They're so grateful.
See more »


Featured in Greta Garbo: A Lone Star (2001) See more »


Music by Bronislau Kaper
Lyrics by Roni
Danced by Greta Garbo, Robert Alton and chorus of nightclub patrons
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Frequently Asked Questions

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User Reviews

Playing against type isn't necessarily bad...
2 December 2012 | by (United States) – See all my reviews

... and that is what both Greta Garbo and Constance Bennett are doing here - playing against type. I actually liked this one when I expected to dislike it. I don't think this one was an attempt to turn Garbo into a pin-up sweater girl as much as it was the Americanization of an old soul, and an old soul that people had become accustomed to seeing in a certain type of role for the previous 16 years.

It was great fun to see Greta's character improvising a woman of the world with no real knowledge of exactly what that meant, and it was also great fun to see Constance Bennett's Griselda, a rival for the affection of Larry (Melvyn Douglas), doing what I thought she should have done in all of those precodes where she was so mistreated and yet suffered in such silence - going off in private when things weren't going her way and yelling, throwing things, and having a bit of a temper tantrum, then readjusting her clothes and hair, regaining her poise, and walking right back into the thick of things as though nothing ever happened.

The thing that struck me as odd in this film even in the production code era - Karin (Greta Garbo) and Larry have just married after a whirlwind courtship. It is their wedding night. Both just put on their pajamas, and Larry promptly announces he is tired and lies down to go to sleep like they've been married for ten years and just returned from Black Friday shopping???? And this isn't what bothers Karin at all - it's that he admits being swept up in the moment about saying he wanted to live a simple life, and he now wants to go back to New York and his job as magazine publisher. Otherwise she would have laid down and gone to sleep too??? If this was close to realistic it would be the end of the human race.

But that's the point. The whole thing is a farce from beginning to end and a delightful surprise at that. Highly recommended for the fun of it all.

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