Mrs. Topper's friend Mrs. Parkhurst has convinced Mrs. Topper to file for a divorce from Cosmo, due to the strange circumstances of his trip with ghost Marion Kirby. Marion comes back from ... See full summary »
Norman Z. McLeod
This series was about a somewhat grumpy and uptight banker, Cosmo Topper, and the ghosts which only he could see or hear, George and Marion Kerby. The Kerbys would often try to get Cosmo to... See full summary »
Leo G. Carroll
Dizzy society matron Emily Kilbourne has a habit of hiring ex-cons and hobos as servants. Her latest find is a handsome "tramp" who shows up at her doorstep and soon ends up in a ... See full summary »
Norman Z. McLeod
Nikki Martin, a parisian opera star, takes off in search of adventure and true-love leaving her arranged husband to be at the alter. While hitchhiking, Nikki meets handsome American ... See full summary »
The stuffy manager of lovely opera singer Vicki Cassel and her uncle, a classical conductor, is determined to close down the noisy nightclub that's next door to the Cassels' home. The ... See full summary »
Two American soldiers are captured by the Germans on the Western Front during World War One and escape a POW camp only to stumble into further life-threatening adventures when they come across an Arabian king's daughter while on the lam.
Topper is once again tormented by a fun-loving spirit. This time, it's Joan Blondell, who was accidentally murdered while vacationing at the home of her wealthy friend, Ann Carrington (Landis), the intended victim. With Topper's help, Joan sets out to find her killer with the expected zany results. Written by
Daniel Bubbeo <email@example.com>
According to the Internet Movie Car Database, Cosmo Topper who if one remembers, always had an eye for special automobiles, had Eddie driving his 1936 Mercedes SSK throughout the film. This was an exotic (and expensive) car from the era. Mercedes ended manufacture of the model in 1941.
The crashed cab is identified as a 1936 De Soto, Movie fans recognize this as a common Taxi used in films of that time, ergo the De Soto Cab Company.
A treat is a look at a 1935 Packard Super Eight Sport Phaeton. See more »
When Ann first meets her father, talks to the clock-winding woman and receives the jewels, she changes chairs from one with a straight top, to one with a curved top, and back again, as well as going from sitting properly to sitting on the arm. See more »
I've been in politics ten years, and I've never seen anything as balled up as this is!
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Thorne Smith is just now beginning to be taken seriously as a writer. Often brushed off as just another pulp fiction fabricator, Smith's works are filled with satirical, humorous jibes at American culture concealed in well-written stories of fantasy. Though all three Hollywood versions of one of his best character creations leave out much of the satire they are each highly entertaining romantic comedies with many sexual innuendos considered bawdy when released in the late 30's and early 40's. This third film adds an element of mystery, suspense and chills to the comedy. Even the humor comes faster than in the first two Topper's. Billie Burke as Mrs. Cosmo Topper is given more clever lines this go around. Being one of the best actresses around, she knows exactly how to use the lines for ultimate comedic effect.
Eddie 'Rochester' Anderson was one of the funniest men around at the time. Mainly a radio comedian and sidekick to the inimitable Jack Benny, he stands out in every movie role he was given. He was one of the few African-Americans of his day who was able through sheer talent to rise above the racist Hollywood stereotyping rampant in the media at the time. Later during the civil rights movement Jack Benny told Rochester to do an errand for him. He replied, "Mr. Benny, we don't do that anymore." There's one scene in "Topper Returns" involving Rochester that's a gem when the raven flies to his shoulder and he gives a double take. Don't miss it. I don't know whose idea it was to have him wear a fur coat but that one prop adds tremendously to the fun.
So much has already been said by IMDb reviewers about the sensational Joan Blondell who deservedly got top billing in this film. She was a multi-talented actress who could play any role given her better than anyone else. She was also a topnotch comedienne as she shows in this outing when she somewhat assumes the role played by Constance Bennett in the first two outings. Donald MacBride as the police sergeant in charge of investigating the murders plays the part of a dumb policeman (typical for Hollywood in those days) in such a lofty comic manner than his stupidity is actually believable and this time funny. Adding to the creepiness of this truly scary comedy is the performance of Rafaela Ottiano as the housekeeper. She would frighten the pants off Boris Karloff and Peter Lorre. The rest of the cast made in heaven is just as effective.
Special note should be given to the special effects which were nominated for an Oscar. The man behind them, Roy Seawright, had also been in charge of the special effects for the first two Topper's. I've read that he had a hand in doing the special effects for the 1933 horror classic "The Invisible Man," although he is not credited with that in his profile.
Roland Young is for many viewers the definitive Topper but the later TV Topper, Leo G. Carroll, did a fine job too. Plus the later TV series added a ghost St. Bernard named Neil who just happened to be an alcoholic. Except for this the three movie versions are superior. The made for TV "Topper Returns" actually deals with Cosmo Topper Jr. and though OK is nowhere near the caliber of this "Topper Returns."
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