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IMDb > Todake no kyodai (1941)

Todake no kyodai (1941) More at IMDbPro »


Overview

User Rating:
7.9/10   146 votes
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Director:
Yasujiro Ozu
Writers:
Tadao Ikeda (writer)
Yasujiro Ozu (writer)
Contact:
View company contact information for Todake no kyodai on IMDbPro.
Release Date:
11 May 1982 (USA) more
Awards:
1 win more
User Comments:
Ozu's wartime solution to family dysfunction: let's all go to China! more

Cast

  (Credited cast)
Mieko Takamine ... Setsuko
Shin Saburi ... Shojiro
Hideo Fujino ... Shintaro Toda
Ayako Katsuragi ... Mrs. Toda
Mitsuko Yoshikawa ... Chizuru
Masao Hayama ... Ryokichi
Tatsuo Saito ... Shinichiro
Kuniko Miyake ... Kazuko
Yoshiko Tsubouchi ... Ayako
Kayoko Kuwano ... Tokiko
Chishu Ryu ... Friend
rest of cast listed alphabetically:
Chouko Iida ... Kiyo
Shohichi Kawamura ... Suzuki
Takeshi Sakamoto ... Antique Dealer
Mayuko Takagi ... Mitsuko
Reiko Tani ... Photographer
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Additional Details

Also Known As:
The Brothers and Sisters of the Toda Family
The Toda Brothers and Sisters
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Runtime:
105 min
Country:
Japan
Language:
Japanese
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono

Fun Stuff

Movie Connections:
Referenced in Ikite wa mita keredo - Ozu Yasujirô den (1983) more

FAQ

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7 out of 11 people found the following comment useful:-
Ozu's wartime solution to family dysfunction: let's all go to China!, 13 December 2003
Author: alsolikelife from United States

Ozu enters William Wyler terrain with a somber upscale family drama about a mother and daughter who are shuttled in unwelcome fashion from one family member's home to another following the death of the family patriarch. The thematic elements of displacement within a family unit anticipate TOKYO STORY -- there's even a bedtime scene between the mother and daughter that echoes one in the later film. There's a startling lack of music in this film, esp. during Ozu's normally music-filled transitional shots, that contribute to an overall sense of tense unease that touches on what might have been the general wartime state of mind among Japanese at that time. The war makes a subtle appearance in the form of the youngest son who offers to take the unwanted family members with him to settle in China -- a moment which might be aligned with Imperialist propaganda, though in a fascinating way: the Chinese "frontier" seems presented as a place where Japanese society can escape its social hypocrisies and begin anew.

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