Shiftless Jeeter Lester and his family of hillbilly stereotypes live in a rural backwater where their ancestors were once wealthy planters. Their slapstick existence is threatened by a ... See full summary »
Shiftless Jeeter Lester and his family of hillbilly stereotypes live in a rural backwater where their ancestors were once wealthy planters. Their slapstick existence is threatened by a bank's plans to take over the land for more profitable farming; subplots involve the affairs and marriages of son Dude and daughter Ellie May. Written by
Rod Crawford <firstname.lastname@example.org>
The early-1941 Ford Super De Luxe Convertible Club Coupe, driven by Harvey Parry, survived its ordeal. During filming it had been crashed into a 100-year-old sycamore tree, then backed out of the debris and driven fast to jump over a 20-foot stream (with the aid of a ramp), and thereafter smashed through several fences, sideswiped a two-ton truck (forcing the truck off the road), rammed through a tool shed (cut from final release), jumped a curb, splintered a park bench, rammed a station wagon, ran into two other trees and skidded until finally overturning. Following this, the car was set right by the crew and driven back to the studio by Parry. A studio employee, Arthur Webb, purchased the badly-damaged convertible from 20th Century-Fox and, with his brother Don, commenced to repair it with hundreds of hours of personal labor and $125 in new parts from a Beverly Hills dealership. See more »
When the new car is tipped over, after being driven on dirt roads and through mud, the underside is spotless. See more »
Why, Ada here never... never spoke a word to me for the first ten years we was married. Heh! Them was the happiest ten years of my life.
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After a bank purchases the land, a family of hillbillies faces eviction if it can't come up with the rent. Based on a Caldwell novel that in turn became a stage play, this is very broad comedy that rarely rises above the level of The Three Stooges. Grapewin plays a lazy farmer who has so many children that he and his wife can't keep track of them. Tracy is horribly over-the-top as one of the grown children living at home. Tierney is third billed as Tracy's useless sister but barely has a line of dialog. Rambeau does OK as a neighbor. Andrews plays the only character who has some dignity. Every once in a while Ford came up with a real clunker, and this is one of them.
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