Shiftless Jeeter Lester and his family of hillbilly stereotypes live in a rural backwater where their ancestors were once wealthy planters. Their slapstick existence is threatened by a ... See full summary »
Aboard the freighter Glencairn, the lives of the crew are lived out in fear, loneliness, suspicion and cameraderie. The men smuggle drink and women aboard, fight with each other, spy on ... See full summary »
Highly fictionalized early history of Canada. Trapper/explorer Radisson imagines an empire around Hudson's Bay. He befriends the Indians, fights the French, and convinces King Charles II to sponsor an expedition of conquest.
Scotland Yard Inspector George Gideon starts his day off on the wrong foot when he gets a traffic-violation ticket from a young police officer. From there, his 'typical day" consists in ... See full summary »
In the waning days of WWI, a U.S. "Mystery Ship," sets sail for the coast of Spain towing a submarine. Their mission is to find and sink a U-boat that has been especially effective in ... See full summary »
Shiftless Jeeter Lester and his family of hillbilly stereotypes live in a rural backwater where their ancestors were once wealthy planters. Their slapstick existence is threatened by a bank's plans to take over the land for more profitable farming; subplots involve the affairs and marriages of son Dude and daughter Ellie May. Written by
Rod Crawford <email@example.com>
The early-1941 Ford Super De Luxe Convertible Club Coupe, driven by Harvey Parry, survived its ordeal. During filming it had been crashed into a 100-year-old sycamore tree, then backed out of the debris and driven fast to jump over a 20-foot stream (with the aid of a ramp), and thereafter smashed through several fences, sideswiped a two-ton truck (forcing the truck off the road), rammed through a tool shed (cut from final release), jumped a curb, splintered a park bench, rammed a station wagon, ran into two other trees and skidded until finally overturning. Following this, the car was set right by the crew and driven back to the studio by Parry. A studio employee, Arthur Webb, purchased the badly-damaged convertible from 20th Century-Fox and, with his brother Don, commenced to repair it with hundreds of hours of personal labor and $125 in new parts from a Beverly Hills dealership. See more »
The morning following a torrential rain storm, dirt roads are absolutely dry. See more »
It's hard to even understand why TOBACCO ROAD was such a long-running success on the Broadway stage. Fox has taken the play, cut all of the more sizzling elements that made it intriguing, and reduced it to a tale of dirt poor farm folk too shiftless to make a living off the land with the accent on comedy rather than focusing on a few of the more poignant moments.
It's certainly a disappointment to find Dana Andrews and Gene Tierney totally wasted in small roles early in their careers at Fox. Tierney, especially, has little to do but say a few lines and look as unscrubbed as possible. It's really an embarrassment to watch her in this role.
Overacting is in abundance, particularly from William Tracy as the imbecilic son, Dude, who is crazy from start to finish (with Ward Bond delivering him a well-deserved punch at the finale). Marjorie Rambeau as a gospel-singing fanatic overacts too and even Ward Bond is irritating at times.
But in the central role of the shiftless farmer who spends the whole story trying to devise ways to save his land with a $100 down payment, Charlie Grapewin gives a fine, nuanced performance, slipping easily from comedy to drama without a strain. Elizabeth Patterson tries to give some dignity to the role of his equally downtrodden wife.
John Ford's uninspired direction is largely responsible for the lackluster overall impact of the film, based on the play taken from an earthy Erskine Caldwell novel. Whatever elements made the play so enormously successful have been eliminated in Nunnally Johnson's screenplay.
Summing up: A huge disappointment on many levels although it contains some striking B&W photography.
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