Shiftless Jeeter Lester and his family of hillbilly stereotypes live in a rural backwater where their ancestors were once wealthy planters. Their slapstick existence is threatened by a ... See full summary »
Shiftless Jeeter Lester and his family of hillbilly stereotypes live in a rural backwater where their ancestors were once wealthy planters. Their slapstick existence is threatened by a bank's plans to take over the land for more profitable farming; subplots involve the affairs and marriages of son Dude and daughter Ellie May. Written by
Rod Crawford <firstname.lastname@example.org>
The early-1941 Ford Super De Luxe Convertible Club Coupe, driven by Harvey Parry, survived its ordeal. During filming it had been crashed into a 100-year-old sycamore tree, then backed out of the debris and driven fast to jump over a 20-foot stream (with the aid of a ramp), and thereafter smashed through several fences, sideswiped a two-ton truck (forcing the truck off the road), rammed through a tool shed (cut from final release), jumped a curb, splintered a park bench, rammed a station wagon, ran into two other trees and skidded until finally overturning. Following this, the car was set right by the crew and driven back to the studio by Parry. A studio employee, Arthur Webb, purchased the badly-damaged convertible from 20th Century-Fox and, with his brother Don, commenced to repair it with hundreds of hours of personal labor and $125 in new parts from a Beverly Hills dealership. See more »
When the new car is tipped over, after being driven on dirt roads and through mud, the underside is spotless. See more »
Director John Ford was certainly an odd duck; the stories he was attracted to ran the gamut from "The Searchers" to "The Quiet Man" to this one, a head-scratcher of a tragicomedy based on Erskine Caldwell's book and Jack Kirkland's popular stage-adaptation. Eccentric Georgia farm family is threatened with poverty when the bank forecloses on their land, leading patriarch Jeeter to use his wiles in hopes of raising $100 for a year's worth of rent. Movie swings wildly from hick-slapstick to poignant drama; however, once you've had a chance to get attuned to Ford's rhythm, it's a pretty terrific ride. Charley Grapewin gives an Oscar-caliber performance (he wasn't even nominated!), and it's fun to see Gene Tierney and Dana Andrews looking very youthful three years before "Laura". Good show! *** from ****
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