Shiftless Jeeter Lester and his family of hillbilly stereotypes live in a rural backwater where their ancestors were once wealthy planters. Their slapstick existence is threatened by a ... See full summary »
John Ford weaves three "Judge Priest" stories together to form a good- natured exploration of honour and small-town politics in the South around the turn of the century. Judge William ... See full summary »
In 1918 France, Captain Flagg commands a disreputable company of Marines; his new top sergeant is his old friendly enemy, Quirt. The two men become rivals for the favors of fair innkeeper's... See full summary »
When the government agency fails to deliver even the meager supplies due by treaty to the proud Cheyenne tribe in their barren desert reserve, the starving Indians have taken more abuse ... See full summary »
Shiftless Jeeter Lester and his family of hillbilly stereotypes live in a rural backwater where their ancestors were once wealthy planters. Their slapstick existence is threatened by a bank's plans to take over the land for more profitable farming; subplots involve the affairs and marriages of son Dude and daughter Ellie May. Written by
Rod Crawford <email@example.com>
The Broadway play by Jack Kirkland based on Erskine Caldwell's novel opened 4 December 1933 and set a record for longevity on Broadway when it closed on 31 May 1941 after 3,281 performances. It was revived on Broadway twice in the next two years, bring its total running time there to nearly ten years (1933-1943). Opened at the Theatre Masque and then moved to the 48th Street Theatre followed by the Forrest Theatre for the original production. The play was revived in 1942, 1943 and 1950. The original Broadway production is the seventeenth longest running show ever as of February, 2013. See more »
The morning following a torrential rain storm, dirt roads are absolutely dry. See more »
The Beverly Hillbillies as directed by America's greatest poet
The back side of the same coin whose front is The Grapes of Wrath. It's a Depression piece about a family of Georgia dirt farmers who are about to be driven from their home. Here John Ford stays much in his comedy mode, so most of his detractors will certainly want to stay clear of it. And even I admit that at times it can be obnoxious. Dude Lester, the youngest of the 16 (or 17) children Jeeter and Ada Lester had, and one of only two who still live on the farm, is particularly hard to bear. One wonders whether Jeeter and Ada had the same parents. Dude runs around screeching and imitating his car's horn. He can be funny, but he's certainly the most grating element of the movie. Luckily, he gets his comeuppance, which makes it well worth putting up with him. The other child, a 23 year old girl, Ellie May (Gene Tierney, in a very early appearance and gorgeous as the earthy farmer's daughter Ford really fetishizes her, to tell you the truth), is in love with her brother-in-law, Lov (Ward Bond, whom I didn't even recognize). He chose Ellie May's younger sister because he wanted a young wife 23 is too old and he feared he'd be the laughing stock of Tobacco Road. Most of the movie focuses on Jeeter (Charley Grapewin), who is trying to remain on his land. It's quite amazing. These characters are so stereotypical, and they can certainly be construed as highly offensive. The Beverly Hillbillies probably contains less offensive material about hicks. With any other artist at the helm, it would be completely reprehensible. Yet, in Ford's hands, Jeeter Lester exhibits as much humanity as Tom Joad. We laugh at his ridiculousness, but we care for him very much. His wife (played by Marjorie Rambeau) doesn't get a lot of screen time, but when she does, she reminds me much of Jane Darwell's heartbreaking role as Ma Joad. After Dude tears into his parents about being at death's door, the two have a solemn conversation about their numerous, departed children. `I thought at least one of them would write,' Ada sighs. The film also boasts the greatest number of occurrences of Ford's favorite hymn, `Shall We Gather at the River'. It even serves as the base of the film's score. If the wackiness doesn't put the detractors off, that song very well might! I love it myself. As funny as Tobacco Road is, and it is quite funny almost all of the time, it contains dozens of moments of the greatest American poetry. 9/10.
32 of 43 people found this review helpful.
Was this review helpful to you?