Shiftless Jeeter Lester and his family of hillbilly stereotypes live in a rural backwater where their ancestors were once wealthy planters. Their slapstick existence is threatened by a ... See full summary »
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Shiftless Jeeter Lester and his family of hillbilly stereotypes live in a rural backwater where their ancestors were once wealthy planters. Their slapstick existence is threatened by a bank's plans to take over the land for more profitable farming; subplots involve the affairs and marriages of son Dude and daughter Ellie May. Written by
Rod Crawford <email@example.com>
The Broadway play by Jack Kirkland based on Erskine Caldwell's novel opened 4 December 1933 and set a record for longevity on Broadway when it closed on 31 May 1941 after 3,281 performances. It was revived on Broadway twice in the next two years, bring its total running time there to nearly ten years (1933-1943). Opened at the Theatre Masque and then moved to the 48th Street Theatre followed by the Forrest Theatre for the original production. The play was revived in 1942, 1943 and 1950. The original Broadway production is the seventeenth longest running show ever as of February, 2013. See more »
The morning following a torrential rain storm, dirt roads are absolutely dry. See more »
It's hard to even understand why TOBACCO ROAD was such a long-running success on the Broadway stage. Fox has taken the play, cut all of the more sizzling elements that made it intriguing, and reduced it to a tale of dirt poor farm folk too shiftless to make a living off the land with the accent on comedy rather than focusing on a few of the more poignant moments.
It's certainly a disappointment to find Dana Andrews and Gene Tierney totally wasted in small roles early in their careers at Fox. Tierney, especially, has little to do but say a few lines and look as unscrubbed as possible. It's really an embarrassment to watch her in this role.
Overacting is in abundance, particularly from William Tracy as the imbecilic son, Dude, who is crazy from start to finish (with Ward Bond delivering him a well-deserved punch at the finale). Marjorie Rambeau as a gospel-singing fanatic overacts too and even Ward Bond is irritating at times.
But in the central role of the shiftless farmer who spends the whole story trying to devise ways to save his land with a $100 down payment, Charlie Grapewin gives a fine, nuanced performance, slipping easily from comedy to drama without a strain. Elizabeth Patterson tries to give some dignity to the role of his equally downtrodden wife.
John Ford's uninspired direction is largely responsible for the lackluster overall impact of the film, based on the play taken from an earthy Erskine Caldwell novel. Whatever elements made the play so enormously successful have been eliminated in Nunnally Johnson's screenplay.
Summing up: A huge disappointment on many levels although it contains some striking B&W photography.
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