They Died with Their Boots On (1941)

User Rating:

7.3/10   

Director:

Raoul Walsh

Writers:

Wally Kline (original screenplay) and
Æneas MacKenzie (original screenplay)

Release Date:

1 January 1942 (USA)

Genre:

Biography | Drama | Romance | War | Western

Tagline:

The heroic saga of Custer's Last Stand!

Plot:

This is the story of General Custer from the time he enters West Point military academy, through the American Civil War...

Plot Keywords:

Civil War | West Point | Little Big Horn | Crazy Horse | Cavalry

Cast

Errol Flynn	...	George Armstrong Custer
Olivia de Havilland	...	Elizabeth Bacon
Arthur Kennedy	...	Ned Sharp
Charley Grapewin	...	California Joe
Gene Lockhart	...	Samuel Bacon, Esq.
Anthony Quinn	...	Crazy Horse
Stanley Ridges	...	Maj. Romulus Taipe
John Litel	...	Gen. Phil Sheridan
Walter Hampden	...	William Sharp
Sydney Greenstreet	...	Lt. Gen. Winfield Scott
Regis Toomey	...	Fitzhugh Lee
Hattie McDaniel	...	Callie
G.P. Huntley	...	Lt. "Queen's Own" Butler (as George P. Huntley Jr.)
Frank Wilcox	...	Capt. Webb
Joe Sawyer	...	Sgt. Doolittle (as Joseph Sawyer)

Also Known As:

To the Last Man (USA) (working title)

Runtime:

140 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Australia:G | Norway:16 (1947) | Finland:K-8 (1965) | Finland:S (1943) | UK:U | USA:Approved (PCA #7505)

Filming Locations:

Busch Gardens - S. Grove Avenue, Pasadena, California, USA

Company:

Warner Bros. Pictures

Trivia:

To fill the background with "Indians", hundreds of Filipino extras were filmed while the 16 Sioux were used for the close-ups.

Goofs:

Boom mic visible: During the office scene where they are discussing which cadets can be graduated early, you can see the shadow of the boom mic on the wall in the left rear of the room.

Quotes:

[after they first meet, Custer walks Miss Bacon to Gen. Sheridan's house]
George Armstrong Custer: Do you think if I were to come strolling past your house around nine o'clock at night you might be just sitting around on the veranda?
Elizabeth Bacon: Life is full of surprises.
George Armstrong Custer: And if I did find you sitting on the porch perhaps you and I could go for a walk together.
Elizabeth Bacon: [laughs] We seem to have been walking together ever since we met.
George Armstrong Custer: Well, I can't imagine, ma'am - if I may say so - any pleasanter journey, ma'am, than walking through life with you beside me, ma'am.

Movie Connections:

Referenced in "EastEnders: (2000-12-25)" (2000)

Soundtrack:

Taps

Flynn in Inaccurate but Spectacular Custer Bio...

You've heard the mantra against THEY DIED WITH THEIR BOOTS ON...That the only facts they got right were that there WAS a George Armstrong Custer, he DID serve in the Civil War, and he DID die at the Little Big Horn. This is all true, but what of it? Hollywood has never been obsessed with making historically accurate epics (particularly concerning the West), and, at the time of filming, with America recently plunged into WWII, the WB knew that escapism was essential for film audiences. What better way to take an audiences mind off the depressing war news for a couple of hours than with a grand adventure starring their biggest action star?

Errol Flynn, coming off two minor 1941 releases (the blandly pleasant comedy FOOTSTEPS IN THE DARK, and his first war-related title, DIVE BOMBER) was due for a more 'swashbuckling' role, but the actor flatly refused to work with Michael Curtiz, again. While the Hungarian-born director had guided the actor to stardom, he was a very hard taskmaster, and a mutual hatred between the pair had developed, fueled by Flynn's carousing and lazy work habits. Veteran director Raoul Walsh was called in, and the hard-living director and star would develop an immediate rapport, both on and off-camera (Walsh would go on to direct Flynn in eight films, and drink and ride motorcycles with him between projects).

Another milestone of THEY DIED WITH THEIR BOOTS ON was that this would be Flynn's last teaming with long-time co-star Olivia de Havilland. Although the pair were friends, de Havilland had become a major star in her own right, and she demanded more important roles than just being Flynn's 'love interest', a decision Flynn supported, wholeheartedly. The fact that the stars knew this during the shooting gave their scenes, particularly the final one, a poignancy that is unmatched in any of their other films.

Flynn's Custer was a larger-than-life cavalier, prone to getting in trouble with his superiors, but so charismatic that one enlisted man remarks, "We'd follow him to hell." Barely allowed to leave West Point to serve in the Civil War (his academic record is the worst in West Point's history, "even worse than Ulysses S. Grant" one instructor laments), the new lieutenant is accidentally promoted to Brigadier General, and uses his rank to lead his command in a series of charges at Gettysburg, ultimately saving the day, and the Union, in the process.

Mustered out at the conclusion of the war, inactivity leads the soldier to drinking and despondency, so wife Libby pulls some strings, and gets him a new command, in the Black Hills, leading the Seventh Cavalry. Finding them an undisciplined lot, he closes the bar, introduces discipline, and a new unit song (the immortal 'Garry Owen'). In no time, his unit is a crack outfit.

Custer also befriends Crazy Horse (Anthony Quinn), and promises to keep the sacred Black Hills free of white settlers. Unfortunately, greedy land speculators fake reports of a gold strike there, creating a 'rush', and Custer discovers that the corruption runs all the way to Washington. Unable to prevent the impending slaughter (Congress will only accept his charges if presented as a 'dying declaration'), and facing court martial, Custer bullies President Grant into allowing him to return to his command...and leads the Seventh to the Little Big Horn...

The final charge at the Little Big Horn, concluding with 'Custer's Last Stand' is truly spectacular (Iron Eyes Cody, one of the Indians participating in the sequence, told a great story of an inebriated Flynn, surrounded by his dwindling forces, enthusiastically cussing and firing away, even after director Walsh yelled "Cut!"), and, aided by Max Steiner's decisive music, is one of the most rousing scenes in film history.

Accurate? Are you kidding? But THEY DIED WITH THEIR BOOTS ON, flaws and all, is still cherished as one of Errol Flynn's finest films, during his years as a top star for the WB.