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The Hard-Boiled Canary (1941)

Approved  |   |  Comedy, Music, Romance  |  8 June 1941 (USA)
6.7
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Ratings: 6.7/10 from 24 users  
Reviews: 5 user | 1 critic

A young girl fresh out of reform school who is singing in a burlesque show is offered a scholarship to a famous music camp by the camp's owner. She must overcome the suspicions of the other students in order to prove herself.

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Title: The Hard-Boiled Canary (1941)

The Hard-Boiled Canary (1941) on IMDb 6.7/10

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Cast

Cast overview, first billed only:
...
Michael Maddy
Susanna Foster ...
Toodles LaVerne
...
Sylvia Worth
Lynne Overman ...
George Thomas
Grace Bradley ...
Madie Duvalie
William Collier Sr. ...
Dr. Joseph E. Maddy
Heimo Haitto ...
Heimo Haitto
Peter Meremblum ...
Peter Meremblum (Violin Instructor)
William Chapman ...
William Chapman
Kaye Connor ...
Kaye Connor
...
Dolly Loehr (as Dolly Loehr)
Patricia Travers ...
Patricia Travers
Richard Bonelli ...
Richard Bonelli
Richard Hageman ...
Richard Hegeman
Irra Petina ...
Irra Petine
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Storyline

A young girl fresh out of reform school who is singing in a burlesque show is offered a scholarship to a famous music camp by the camp's owner. She must overcome the suspicions of the other students in order to prove herself.

Plot Summary | Add Synopsis

Plot Keywords:

girl | children | See All (2) »

Taglines:

There's magic in its mirth and music! (original ad) See more »

Genres:

Comedy | Music | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

8 June 1941 (USA)  »

Also Known As:

There's Magic in Music  »

Company Credits

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 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The violin Travers is seen playing is the Guarnerius Ex-Consolo (also known as the Ex-Partello). See more »

Goofs

Kaye Connor, who is faking laryngitis and being unable to talk so that Toodles can sing in her place, speaks briefly in a subsequent scene, before her charade is later revealed. See more »

Soundtracks

Carmen
Written by Georges Bizet
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User Reviews

 
Charming story about kids in a music camp
23 March 2004 | by (Las Vegas, NV) – See all my reviews

It's amazing how well this movie turned out, given all the hardships it faced during production. The film, about Interlochen, was shot at Lake Arrowhead in California. A better storyline could have been chosen than that of a burlesque singer who's taken in by the son of the camp's founder and "reformed". Most of the kids in the film----including three of the four who had major roles----had little or no acting experience. The producers, on a tight budget, had to send all of the non-contract kids home halfway through shooting and had to cut production short by a few weeks. Because of this, many scenes from the script were never shot, and the film shows this lack of continuity.

In spite of all of that, the movie ends up being very well-done. Unlike a similar film two years earlier, "They Shall Have Music," this movie doesn't just include kids, it's ABOUT kids. And frankly, the kids carry the movie and steal the show here. Their lack of acting experience only adds to the spontaneity of the film. Kaye Connor, one of the few kids with any acting background, does a good job of covering for the others when needed. Prodigy Patricia Travers is surprisingly effective portraying a spoiled brat. 14 year old Heimo Haitto is as unbuttoned in the movie as he was in real life. And a young Diana Lynn (as Dolly Loehr) appears in the first of her many ingénue' roles.

Musically, the film is excellent. The kids actually perform all the music they're seen playing, and they do so as well as professionals. This isn't surprising, since many of the kids in the orchestra, who came from various training orchestras in the Los Angeles area (notably the Meremblum orchestra) were also in the youth orchestra of the Goldwyn film "They Shall Have Music", made two years earlier. Opera stars Richard Bonelli, Tandy MacKenzie, and Irra Petina appear in the finale. Works performed are by Wagner (from the operas "Rienzi" and "Tannhäuser"), Sousa (Stars and Stripes Forever), Anton Rubinstein (Romance in E-flat, sung by Connor and performed by Travers), Brahms (Hungarian Rhapsody no. 5, performed by Haitto), Grieg (Piano Concerto, performed by the orchestra and Loehr/Lynn), Gounod (from Faust) and Bizet (Carmen). The finale, which features Faust and Carmen performed and sung simultaneously, is a wonder all by itself.

Foster is given plenty of chance to show off her incredible range, hitting and holding a near-impossible B flat over High C (by contrast, the great Lily Pons could only reach F over High C, although admittedly, Pons had a much more dynamic voice). She also does excellent imitations of Marlene Dietrich, Bonnie Baker, and Judy Canova, and a reasonable one of Katherine Hepburn.

All in all, this is a wonderful film that's been terribly neglected. Good luck finding a copy of it anywhere---it took me six months. Maybe we can persuade one of the classic movie cable stations to play it.


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