Al Howard may be a star on Broadway, but he is no longer welcomed by any producer. It seems that he just trots off to Mexico any time he wants causing shows to close and producers to lose ... See full summary »
The Ames Company makes every effort to keep Uncle Cedric away from any decisions or work. This is in the best interests for him and the company. Trouble starts when he hires a schemer named... See full summary »
The operators of a bankrupt carnival sideshow hope to restore their fallen fortunes by staging a fake 'public wedding' in the mouth of their unprofitable giant whale. But the intended '... See full summary »
A fight promoter finds his fighter, Wayne Morris, in the sticks, a country hick left by his mother when he was young and he won't leave his home as he is still waiting for her to return to ... See full summary »
Dick is watching the fleet come in when he sees June. Dick has no intention of joining the Navy, which is a family tradition, and June, having lost her father and brother in the Navy, does ... See full summary »
Ozzie Norton and his band, featuring Betty Blake of Brooklyn, prepare for the opening of the College Club, a nightclub near the campus of Lambeth Technological . On opening night, Minnie Lambeth Sparr, daughter of the college founder, descends with Professor Bailey, the sheriff and Harriet Hale, daughter of Dr. Hale, president of the school. The band and all persons connected are arrested under an old statute. Harriet, against the move, arranges for their release. Betty, Ozzie and the band picket the college in jive fashion. Written by
Les Adams <firstname.lastname@example.org>
Okay, I tuned in to see the 1950's favorite white bread couple before they hit the big time. Not surprisingly, Ozzie is his usual low-key amiable self, while Harriet warbles a few tunes and shows some spunk as a put-upon secretary. The plot's a familiar one from the time a hep-cat swing band tries to loosen up the college fuddy-duddies led by an impressively uptight Kathleen Howard. Keeler injects some spark with her shapely toe-tapping, but Ozzie's band gets little solo time, and truth be told, he was wise to go into radio sit-com. (Under that easy-going exterior was a really shrewd businessman as his years of radio & TV production demonstrate.)
The most memorable part may be a really early look at television and a receiver set I wish we saw more of both real curiosities that the movie surprisingly makes very little of. At some 60-minutes and with Keeler as the only 'name' star, the movie's nothing more than a pleasant little programmer that I suspect Columbia used to demote Keeler after her A-picture careershe made no more for some 30-years. All in all, it's the kind of material Rooney and Garland could explode the screen with; at the same time, this version manages a mild 'pop'.
3 of 5 people found this review helpful.
Was this review helpful to you?