2 items from 2016
William Cameron Menzies. William Cameron Menzies movies on TCM: Murderous Joan Fontaine, deadly Nazi Communists Best known as an art director/production designer, William Cameron Menzies was a jack-of-all-trades. It seems like the only things Menzies didn't do was act and tap dance in front of the camera. He designed and/or wrote, directed, produced, etc., dozens of films – titles ranged from The Thief of Bagdad to Invaders from Mars – from the late 1910s all the way to the mid-1950s. Among Menzies' most notable efforts as an art director/production designer are: Ernst Lubitsch's first Hollywood movie, the Mary Pickford star vehicle Rosita (1923). Herbert Brenon's British-set father-son drama Sorrell and Son (1927). David O. Selznick's mammoth production of Gone with the Wind, which earned Menzies an Honorary Oscar. The Sam Wood movies Our Town (1940), Kings Row (1942), and For Whom the Bell Tolls (1943). H.C. Potter's Mr. Lucky »
- Andre Soares
Released 75 years ago, Alfred Hitchcock’s Suspicion (1941), his fourth film to be made in the United States, was a departure from his previous films. Unlike The Man Who Knew Too Much (1934), The 39 Steps (1935), or The Lady Vanishes (1938), Suspicion eschews the globetrotting and spying that made those films so exhilarating. It’s an intimate affair, a chamber drama (or chamber suspense film) primarily led by Cary Grant and Joan Fontaine, only occasionally breached by other supporting actors. Hitchcock had rarely worked on such a minimal scale before; even in Rebecca (1940); the mansion Manderlay was practically its own character. The isolation of Grant and Fontaine’s marriage is suffocating and without precedent in Hitchcock’s filmography. Though flawed due to Production Code restrictions, Suspicion remains one of Hitchcock’s most fascinating experiments.
Joan Fontaine plays Lina McLaidlaw, a woman presumably more interested in books than men (a woman wearing glasses in a »
- Brian Marks
2 items from 2016
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