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The Strawberry Blonde (1941)

Approved | | Comedy, Romance | 22 February 1941 (USA)
Quick tempered but likable Biff Grimes falls for beautiful Virginia Brush, but he is not the only young man in the neighborhood who is smitten with her.

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Writers:

(screen play), (screen play) | 1 more credit »
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Nominated for 1 Oscar. See more awards »
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Cast

Complete credited cast:
...
...
Amy Lind
...
Virginia Brush
...
Old Man Grimes
...
Hugo Barnstead
...
Nicholas Pappalas
...
Mrs. Mulcahey
...
Harold
...
Harold's Girl Friend
Edward McNamara ...
Big Joe
Helen Lynd ...
Josephine
Herbert Heywood ...
Toby
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Storyline

Biff Grimes is pugnacious but likable young man during the Gay 90's living with his ne'er-do-well father, noted for their scrappy personalities and quick tempers. Like every other young man in town, Biff has a crush on gorgeous and flirtatious 'strawberry blonde' Virginia Brush, who gets catcalls every time she walks past the all-male clientèle of the neighborhood barber shop. Biff is joined in his admiration by his friends, Nick Pappalis, an immigrant Greek barber, and Hugo Barnsfeld, an unscrupulously ambitious young man who doesn't let anything stand in the way of what he wants, including Virginia. Utilizing both fair means and foul Hugo sweeps Vrginia off her feet and frames Biff as the fall guy in a political graft schemee. However, every dog has his day, and eight years later Biff stands poised to take his revenge. Written by duke1029@aol.com

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 February 1941 (USA)  »

Also Known As:

Uma Loira com Açúcar  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The Lux Radio Theatre produced a version of "One Sunday Afternoon" on August 24, 1936 on CBS with Jack Oakie as Biff. See more »

Goofs

When the two policemen arrive at Biff's (James Cagney) home to arrest him, Biff addresses the one to his right as Matt, however when he introduces him to wife Amy (Olivia de Havilland), Biff calls him Charlie Brown and states that the other policeman is Matt Hughes. See more »

Quotes

Amy Lind: [Amy accuses her of asking Hugo out without being properly introduced]
Virginia Brush: Why I never did any such thing! I simply happened to mention that I was in habit of taking walks in the park with my girlfriend. And besides in moral I didn't wink.
Amy Lind: Don't be a hypocrite, Virginia. Spiritually, you winked.
See more »

Connections

Featured in The Men Who Made the Movies: Raoul Walsh (1973) See more »

Soundtracks

Bill Bailey, Won't You Please Come Home?
(1902) (uncredited)
Music and Lyrics by Hughie Cannon
Sung in the first scene by George Reeves, Lucile Fairbanks and others
See more »

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User Reviews

 
Cagney and that Strawberry Blonde
23 August 2005 | by (Buffalo, New York) – See all my reviews

The Strawberry Blonde was the second and best version of this film and gives James Cagney one of his best screen roles. This version was sandwiched in between a 1933 version and a 1948 musical version under its original title of One Sunday Afternoon.

Most people think of James Cagney as the sharp, know it all from the city streets. He's certainly played that part often enough especially in his early days at Warner Brothers. But there was a softer, more nostalgic side to Cagney and it comes out in films like this one, Johnny Come Lately, and The Time of Your Life. And of course his most famous piece of turn of the last century nostalgia, Yankee Doodle Dandy.

Part of Strawberry Blonde's charm is the nice musical background of turn of the last century popular music. Makes you feel that you really are back in the New York City of Tammany Hall. In fact some aside references to Tammany are in the script.

The plot is simple, Cagney and Jack Carson are after the same woman, the glamorous Strawberry Blonde played by Rita Hayworth. She's of course got a plain jane girlfriend in Olivia DeHavilland.

One unusual twist for Cagney is that normally he's the con man in films. Here he's the butt for all of Jack Carson's cons. Some of them have tragic results for Cagney.

The ending is sweet however for both Cagney and DeHavilland. Lots of truth in that old adage about being careful what you wish for.


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