Quirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth, a Quaker girl. He eventually finds himself having to choose between his world and the world Penelope lives in.
Duke falls for Flaxen in the Barbary Coast in turn-of-the-century San Francisco. He loses money to crooked gambler Tito, goes home and PL: learns to gamble, and returns. After he makes a ... See full summary »
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Young Matt Masters, an Ozark Mountains moonshiner, hates the father he has never seen, who apparently deserted Matt's mother and left her to die. His obsession contributes to the hatred rampant in the mountains. However, the arrival of a stranger, Daniel Howitt, begins to positively affect the mountain people, who learn to shed their hatred under his gentle influence. Still, Matt does not quite trust Howitt..... Written by
Jim Beaver <firstname.lastname@example.org>
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
With both shootings later in the film there is absolutely no trace of blood. This is particularly surprising in the first case which is at point-blank range. See more »
The bigger the man, the deeper the imprint. And when he's in love, he suffers knowing it's a dead end.
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A film of great beauty and great, understated acting!
A marvelous, if little known, early John Wayne film. There are so many wonderful moments in this film that I can only list a few: Harry Carey splendid as the mysterious man who comes to the Ozarks to purchase a piece of dirt land and settle down, and ends up purchasing Moanin' Meadow. A gorgeous, seamless, seemingly effortless piece of acting.
Betty Field, always in bare feet saying that she nearly stepped in a cloud and reveling in the mud between her bare toes.
Marc Lawrence trying to catch dust motes in a sunbeam coming through a dirty windowpane.
Beulah Bondi making a circle of candles and lamp oil!!
Marjorie Main seeing for the first time in her life.
And John Wayne moving from bewildered and embittered young man with a curse on him, to a man in love who can't express his feeling because of the curse, and finally coming to terms with his real, inner self for the first time in his life.
Anyone who thinks John Wayne could not act, should see The Shepherd of the Hills. He is not only beautiful to look at, but he brings charm, power and sympathy to a very difficult role.
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