A young woman, Poppy, out for excitement in Shanghai, enters a gambling house owned by "Mother" Gin Sling, a dragon-lady who worked herself up from poverty to buy the casino. Sir Guy ... See full summary »
Film told in flashbacks of an older man's obsession for a woman who can belong to no-one but can frustrate everyone. The backdrop is SternbergÍs surreal and fantastic Carnaval in Spain. In ... See full summary »
Josef von Sternberg
Edward Everett Horton
Young Princess Sophia of Germany is taken to Russia to marry the half-wit Grand Duke Peter, son of the Empress. The domineering Empress hopes to improve the royal blood line. Sophia doesn't... See full summary »
In November 1941, American news photographer Johnny 'Bugsy' Williams manages to escape from the Japanese and finds himself back in Burma where he meets the beautiful Miss Haoli Young. ... See full summary »
Many passengers on the Shanghai Express are more concerned that the notorious Shanghai Lil is on board than the fact that a civil war is going on that may make the trip take more than three... See full summary »
Josef von Sternberg
Anna May Wong
Georgi has attempted suicide in reaction to an earlier love affair. Now that Dr. Decker has married her he sets out to get her to love him. To make enough to give her what she wants he ... See full summary »
A young woman, Poppy, out for excitement in Shanghai, enters a gambling house owned by "Mother" Gin Sling, a dragon-lady who worked herself up from poverty to buy the casino. Sir Guy Charteris, wealthy entrepreneur, has purchased a large area of Shanghai, forcing Gin Sling to vacate by the coming Chinese New Year. Under orders from Gin Sling, who has found out Poppy is Charteris' daughter, the smarmy Doctor Omar leads Poppy deeper and deeper into an addiction to gambling and alcohol. Gin Sling, realizing that Charteris was her long-ago husband who she thinks abandoned her, plans her revenge by inviting Charteris to a Chinese New Year dinner party to expose his past indiscretions. Charteris, however, has a suprise of his own to spring on Gin Sling. Written by
Doug Sederberg <email@example.com>
In the play, the setting was a brothel run by "Mother Goddam", who was once sold into prostitution, and it dealt with drug addition and nymphomania as well. Many initial adaptations of the original play were rejected by the Hays office, and they discouraged studios from making the film. The Chinese consulate also voiced objections to the portrayal of the Chinese in the play. See more »
The moving finger writes, and having writ - it moves on. Nor all your piety nor wit shall lure it back to cancel half a line, nor all your tears wash out a word of it.
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[after the cast credits] ... And a large cast of "HOLLYWOOD EXTRAS" who without expecting credit or mention stand ready day and night to do their best - - and who at their best are more than good enough to deserve mention. See more »
Seductively decadent! "It smells so incredibly evil" says the beautiful protagonist, intoxicated by the very repugnance of the place,"I didn't think a place like this existed except in my imagination." The place is called Mother Ginsling's Casino which exists in the volatile morally ambiguous no-man's land that was Shanghai during the 1940's. Controlled by the "most cold blooded dragon you'll ever meet", Madame Ginsling, a scholar of human folly and master manipulator of their emotions, the Casino is threatened with closure by a powerful English business man, ironically not for morality but because she's an impediment to his expanding empire. But like any cunning predator, Ginsling searches for Sir Guy Charteris's Achilles heel and finds it in his beautiful, but not-so-innocently curious daughter Poppy Smith, who's curiosity with Ginsling's establishment quickly turns into an addiction. In about 20 minutes time, director Josef Von Sternberg will turn this heart-stopping beautiful and sophisticated girl into a babbling tramp, and considering that Poppy is played by Gene Tierney at her prime, this is a remarkable achievement! SHANGHAI GESTURE illustrates how skillful understatement in a master's hand can be scorchingly sensual and overtly decadent without even raising an eyebrow of the modern censor. Powerful performances by Tierney, Walter Houston, and Ona Munson. A masterpiece!
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