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The Shanghai Gesture (1941)

6.8
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Ratings: 6.8/10 from 1,698 users  
Reviews: 56 user | 24 critic

A young woman, Poppy, out for excitement in Shanghai, enters a gambling house owned by "Mother" Gin Sling, a dragon-lady who worked herself up from poverty to buy the casino. Sir Guy ... See full summary »

Writers:

(adaptation), (collaborator for adaptation), 3 more credits »
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Title: The Shanghai Gesture (1941)

The Shanghai Gesture (1941) on IMDb 6.8/10

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Test your knowledge of The Shanghai Gesture.
Nominated for 2 Oscars. See more awards »

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Cast

Cast overview, first billed only:
...
Poppy
...
Sir Guy Charteris
...
Doctor Omar
Ona Munson ...
'Mother' Gin Sling
Phyllis Brooks ...
The Chorus Girl
Albert Bassermann ...
The Commissioner
Maria Ouspenskaya ...
The Amah
Eric Blore ...
The Bookkeeper
Ivan Lebedeff ...
The Gambler
...
The Coolie
Clyde Fillmore ...
The Comprador
Grayce Hampton ...
The Social Leader
Rex Evans ...
The Counselor
Mikhail Rasumny ...
The Appraiser (as Mikhail Rasumni)
Michael Dalmatoff ...
The Bartender (as Michael Delmatoff)
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Storyline

A young woman, Poppy, out for excitement in Shanghai, enters a gambling house owned by "Mother" Gin Sling, a dragon-lady who worked herself up from poverty to buy the casino. Sir Guy Charteris, wealthy entrepreneur, has purchased a large area of Shanghai, forcing Gin Sling to vacate by the coming Chinese New Year. Under orders from Gin Sling, who has found out Poppy is Charteris' daughter, the smarmy Doctor Omar leads Poppy deeper and deeper into an addiction to gambling and alcohol. Gin Sling, realizing that Charteris was her long-ago husband who she thinks abandoned her, plans her revenge by inviting Charteris to a Chinese New Year dinner party to expose his past indiscretions. Charteris, however, has a suprise of his own to spring on Gin Sling. Written by Doug Sederberg <vornoff@sonic.net>

Plot Summary | Plot Synopsis

Taglines:

Mystery-lure of the Far East! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

| |

Release Date:

15 January 1942 (USA)  »

Also Known As:

The Shanghai Gesture  »

Box Office

Budget:

$1,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(copyright length) | (1981) (restored)

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

In the play, the setting was a brothel run by "Mother Goddam", who was once sold into prostitution, and it dealt with drug addition and nymphomania as well. Many initial adaptations of the original play were rejected by the Hays office, and they discouraged studios from making the film. The Chinese consulate also voiced objections to the portrayal of the Chinese in the play. See more »

Quotes

Poppy: The other places are like kindergardens compared with this. It smells so incredibly evil! I didn't think such a place existed except in my own imagination. It has a ghastly familiarity like a half-remembered dream. *Anything* could happen here... any moment...
See more »

Crazy Credits

Opening credits: "Years ago a speck was torn away from the mystery of China and became Shanghai. A distorted mirror of problems that beset the world today, it grew into a refuge for people who wished to live between the lines of laws and customs - - a modern Tower of Babel. Neither Chinese, European, British nor American it maintained itself for years in the ever increasing whirlpool of war. Its destiny, at present, is in the lap of the Gods - - as is the destiny of all cities. Our story has nothing to do with the present." See more »

Connections

Featured in La société du spectacle (1973) See more »

Soundtracks

I'm Always Chasing Rainbows
(1918) (uncredited)
Music by Harry Carroll
Lyrics by Joseph McCarthy
Played on piano by Rex Evans at Gin Sling's dinner party
See more »

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User Reviews

 
Much better than some reviewers would have you think.
20 June 2003 | by (California) – See all my reviews

Most of those movie review reference books you see floating around in paperback call this film campy idiocy. It's campy only in the sense that it was made at a time when a certain degree of heavy-handedness and melodrama was the norm in films. It's certainly not idiotic. It is a story of perceived betrayal and self-degradation. The play it was based on was considered quite thought provoking and socially daring. The film was somewhat cleaned up but still addressed the main issues. The characterizations are quite involving, especially Mature's.


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