A young woman, Poppy, out for excitement in Shanghai, enters a gambling house owned by "Mother" Gin Sling, a dragon-lady who worked herself up from poverty to buy the casino. Sir Guy ... See full summary »
Nick Cochran, an American in exile in Macao, has a chance to restore his name by helping capture an international crime lord. Undercover, can he mislead the bad guys and still woo the handsome singer/petty crook, Julie Benson?
Josef von Sternberg,
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Josef von Sternberg
Anna May Wong
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A young woman, Poppy, out for excitement in Shanghai, enters a gambling house owned by "Mother" Gin Sling, a dragon-lady who worked herself up from poverty to buy the casino. Sir Guy Charteris, wealthy entrepreneur, has purchased a large area of Shanghai, forcing Gin Sling to vacate by the coming Chinese New Year. Under orders from Gin Sling, who has found out Poppy is Charteris' daughter, the smarmy Doctor Omar leads Poppy deeper and deeper into an addiction to gambling and alcohol. Gin Sling, realizing that Charteris was her long-ago husband who she thinks abandoned her, plans her revenge by inviting Charteris to a Chinese New Year dinner party to expose his past indiscretions. Charteris, however, has a suprise of his own to spring on Gin Sling. Written by
Doug Sederberg <email@example.com>
'Mother' Gin Sling:
[of an ordinance that would outlaw her establishment]
I've lived by my own ordinances for a long time now, and I intend to disregard all others.
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[after the cast credits] ... And a large cast of "HOLLYWOOD EXTRAS" who without expecting credit or mention stand ready day and night to do their best - - and who at their best are more than good enough to deserve mention. See more »
One of the most beautiful films ever made. Von Sternberg had a strange and painterly way of composing a frame when he shot his films. In earlier films the scenes abounded in detail, and often had layers that would stretch back into the distance, or simply add complexity and a sense of the tumult of the living all around. In this film he seemed to change his focus to the glamorous portrait, and brought to life some of the most stunning shots of actors I have ever seen.
If you wish to see the breathtaking beauty of Gene Tierney at its height that this is the film to see it. She's so willful and spoiled, suggesting the nymphomaniac that nobody could suggest any other way thanks to the censorship. Everyone in the film seems to licking their lips in anticipation of some decadent delight that will be happening off screen. And time and time again Sternberg throws up another static, stagy, yet impossibly beautiful portrait of one of his stars.
The scent of opium and sex practically oozes from every frame.
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