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Shadow of the Thin Man (1941)

Passed | | Comedy, Crime, Drama | November 1941 (USA)
Nick and Nora are at their wise-cracking best as they investigate murder and racketeering at a local race-track.

Director:

(as Maj. W.S. Van Dyke II)

Writers:

(screen play), (screen play) | 2 more credits »
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Cast

Complete credited cast:
...
...
...
...
Molly Ford
...
...
'Whitey' Barrow
...
Maj. Jason I. Sculley
Richard Hall ...
Nick Charles Jr. (as Dickie Hall)
...
Claire Porter
Loring Smith ...
'Link' Stephens
Joseph Anthony ...
Fred Macy
Lou Lubin ...
'Rainbow' Benny
...
Stella
...
Asta
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Storyline

Nick and Nora's hopes for a pleasant afternoon at the local race track are dashed when a jockey is found shot dead in the locker room. Nick's friend Lt. Abrams wants him to help out but Nick is enjoying the good life too much to get involved. However, he is subsequently approached by Major Scully to look into corruption and the role of organized crime in gambling. Others are killed but in the end, Nick gathers all of the suspects into a room and identifies the killer. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

FUNNIER THAN EVER in their first new laugh-thriller in 2 years! See more »


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

November 1941 (USA)  »

Also Known As:

La sombra de los acusados  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

In 1941 the San Francisco-Oakland Bay Bridge had six lanes (approx. ten feet wide each) of traffic in both directions on the upper deck. The lower deck had three lanes for east-west truck traffic with the middle lane switching direction during the rush hours. Lower deck south side (now incorporated as two traffic lanes for a total of five lanes) was used until 1958 for commuter rail. In the 1960s upper deck became five 12-foot-wide lanes West and lower deck became five 12-foot-wide lanes easterly. The footage of Nick and Nora traveling East on the upper deck is not an error as some may have reported, but as the bridge looked and as was configured at the time photographed. See more »

Goofs

Bringing back Sam Levine as Lt. Abrams of the San Francisco PD from AFTER THE THIN MAN is a welcome addition to the cast. However, a San Francisco homicide detective wouldn't have had jurisdiction at the racetrack. The only possible area horse racetrack would have been Berkeley's Golden Gate Fields (opened 1941), which is well outside the San Francisco city limits and is reached by driving across the San Francisco Oakland Bay Bridge (where Nick got his speeding ticket and police escort to the track). See more »

Quotes

Nora Charles: He's getting more like his father everyday.
Estrellita: He sure is. This morning he was playing with a corkscrew.
See more »

Connections

Follows Another Thin Man (1939) See more »

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User Reviews

The Formula Still Works Pretty Well
17 August 2005 | by (Ohio) – See all my reviews

In this fourth movie in the Thin Man series, the familiar formula still works pretty well, making "Shadow of the Thin Man" an enjoyable feature with plenty of wit, an interesting mystery, and most of all Nick and Nora. It's hard to think of any other screen couple that worked together better than William Powell and Myrna Loy. All it takes is a few seconds of seeing them interact before you feel as if you are in the company of old friends.

The story and setting make use of Nick's fondness for the horse races, and this also allows for an entertaining assortment of characters. The mystery has several twists and turns, and the story developments alternate with lighter stretches of Nick and Nora being themselves. Besides the race track, there are some other imaginative settings that help in creating an atmosphere that is both believable and interesting.

Most of the other characters are pretty straightforward, but Sam Levene gets quite a few good moments as the police lieutenant. Barry Nelson also has a decent role as a reporter. A very young Donna Reed gets a fair amount of screen time, but her character is not as interesting as the others. It's also interesting to see Stella Adler in one of her rare screen roles.

This one is a cut below the earlier movies in the series, but it's still good fun. As well as the familiar combination works, there weren't a lot of reasons to make significant changes.


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