Broadway star Jimmy Canfield stars in a patriotic show on the great white way during WWI. He plays the heroic soldier, but he is doesn't want to join the Army. To evade some troubles with ... See full summary »
Joe E. Brown,
After Pearl Harbor, convicts at Alcatraz prison live in fear of bomb attacks, driving Champ Larkin and his pal Jimbo to a desperate escape attempt which lands them on a tiny lighthouse ... See full summary »
Nick Charles, an ex-private detective, marries Nora and lives in a luxurious Park Avenue apartment in New York City. Nick's former underworld friends still hang around and get him involved ... See full summary »
Cathy Mallory, beautiful socialite who prefers classical music, is taken by friends to a back-alley dance club. There, she meets blind pianist Dan Evans, who plays in Chick Morgan's swing ... See full summary »
Nick and Nora's hopes for a pleasant afternoon at the local race track are dashed when a jockey is found shot dead in the locker room. Nick's friend Lt. Abrams wants him to help out but Nick is enjoying the good life too much to get involved. However, he is subsequently approached by Major Scully to look into corruption and the role of organized crime in gambling. Others are killed but in the end, Nick gathers all of the suspects into a room and identifies the killer. Written by
Caught this again in a TCM triple feature of Thin Man movies. Even I'm not old enough to have seen these in the theater, but I saw them before as a youth when all of these movies were dumped by Hollywood onto the small screen in the Fifties and Sixties. They have aged very well. Myrna Loy is beautiful and wonderful as perhaps the prototypical smart Aleck and generally competent wife and partner. Her money obviously allows her husband William Powell to be the wise cracking, hard drinking playboy detective in the series start. She's a good influence and he turns into a more acceptable father type by the series end. The movies are all well written, directed and filled with plenty of great 'character actors'. Plot and character driven with nothing a modern audience would perceive as a 'special effect', they're also good detective stories. There's always the gathering of the suspects and the review of the clues at the end where in the less litigious '30s and '40s the killer always confesses. Highly recommended as light comedy and drama.
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