A town marshal, despite the disagreements of his newlywed bride and the townspeople around him, must face a gang of deadly killers alone at high noon when the gang leader, an outlaw he sent up years ago, arrives on the noon train.
A hillbilly sharpshooter becomes one of the most celebrated American heroes of WWI when he single-handedly attacks and captures a German position using the same strategy as in turkey shoot. Written by
Keith Loh <firstname.lastname@example.org>
When this film was being made, American public opinion was strongly isolationist and Warner Brothers initially worried that it would be condemned for being seen as too pro-war in attitude. Jesse Lasky went to great lengths to avoid marketing the film as a war picture. By the film's release, however, Adolf Hitler had conquered much of Europe and the public attitude towards war changed greatly, helping the film become one of the studio's biggest moneymakers of all time. See more »
During the charge of the Americans against the machine guns, the same pirouetting, dying soldier is seen at least a half dozen times, from various angles. See more »
Perhaps when this comes out on DVD later in the year (2006), I'll enjoy this as I did when I first saw it on tape. Subsequent VHS viewings were nowhere as appealing at that first look, unfortunately. As most people know, this is the story of World War I hero Alvin York, who went from drunken good-for-nothing to solid Christian man and war hero.
Gary Cooper certainly was a great choice for the role. Few people in his era were better at playing modest, soft-spoken-but-manly heroes like "Coop." When "York" makes no apology for his 100 percent belief in the Bible, no one challenges him because he's earned the respect from all, believers and non- believers. Cooper's status as an actor helps make that all the more "believable." Sgt. York also gives one of the best examples of forgiveness I've ever seen on film.
Another nice feature of this movie is seeing Joan Leslie in the female lead. She was one of the most pretty and wholesome-looking ladies of her day. She's always a treat to see. Walter Brennan also is interesting, as usual, and in here plays a minister, which also was a surprise.
Much of this film was a surprise because I'm just not used to seeing on film things like true forgiveness, the hero citing Scripture, military officers shown in a compassionate light (letting York, with his pacifistic views, decide what he anted to do) etc. What a shame so few films in the last 50 years have had similar values.
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