War veteran pilots Dizzy Davis, Texas Clark and Jake Lee are working in an airline. Dizzy is fooling with one of the younger pilot's girl-friend and due to this, he changes flights with ... See full summary »
A hillbilly sharpshooter becomes one of the most celebrated American heroes of WWI when he single-handedly attacks and captures a German position using the same strategy as in turkey shoot. Written by
Keith Loh <firstname.lastname@example.org>
When Seargent York looks at the calendar at the end of September to write down his most recent earnings, it is obvious from the calendar close-up that the addition from Sept. 22nd to Sept. 23rd is incorrect. The addition of $41.35 plus $2.55 should yield $43.90, however, the incorrect total of $43.80 is recorded on the calendar as the total for Sept. 23rd. See more »
[warning German Major]
Say, this gun touches off pretty easy!
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Perhaps when this comes out on DVD later in the year (2006), I'll enjoy this as I did when I first saw it on tape. Subsequent VHS viewings were nowhere as appealing at that first look, unfortunately. As most people know, this is the story of World War I hero Alvin York, who went from drunken good-for-nothing to solid Christian man and war hero.
Gary Cooper certainly was a great choice for the role. Few people in his era were better at playing modest, soft-spoken-but-manly heroes like "Coop." When "York" makes no apology for his 100 percent belief in the Bible, no one challenges him because he's earned the respect from all, believers and non- believers. Cooper's status as an actor helps make that all the more "believable." Sgt. York also gives one of the best examples of forgiveness I've ever seen on film.
Another nice feature of this movie is seeing Joan Leslie in the female lead. She was one of the most pretty and wholesome-looking ladies of her day. She's always a treat to see. Walter Brennan also is interesting, as usual, and in here plays a minister, which also was a surprise.
Much of this film was a surprise because I'm just not used to seeing on film things like true forgiveness, the hero citing Scripture, military officers shown in a compassionate light (letting York, with his pacifistic views, decide what he anted to do) etc. What a shame so few films in the last 50 years have had similar values.
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