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The lives of a close-knit group of brothers growing up in Iowa during the days of the Great Depression and of World War II and their eventual deaths in action in the Pacific theater are ... See full summary »
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A hillbilly sharpshooter becomes one of the most celebrated American heroes of WWI when he single-handedly attacks and captures a German position using the same strategy as in turkey shoot. Written by
Keith Loh <email@example.com>
The actual firearm used by Alvin C. York to dispose of a line of seven Germans was not a Luger as depicted in the film, but rather a 1911 .45 ACP automatic. The Luger was preferred for the filmmaking, however, purely on the basis that they couldn't get the .45 to fire blanks. See more »
When Gracie is showing Alvin their new home, she claims it was bought for Alvin by the people of Tennessee. It was, in fact, the Rotary Club of Nashville which provided the home and the surrounding land. The home was also not waiting for York upon his return from Europe as portrayed in the film. The club purchased the property in November 1919, a year after the war ended and after York and Gracie were already married. The couple did not move into the house until Valentine's Day 1922. See more »
Perhaps when this comes out on DVD later in the year (2006), I'll enjoy this as I did when I first saw it on tape. Subsequent VHS viewings were nowhere as appealing at that first look, unfortunately. As most people know, this is the story of World War I hero Alvin York, who went from drunken good-for-nothing to solid Christian man and war hero.
Gary Cooper certainly was a great choice for the role. Few people in his era were better at playing modest, soft-spoken-but-manly heroes like "Coop." When "York" makes no apology for his 100 percent belief in the Bible, no one challenges him because he's earned the respect from all, believers and non- believers. Cooper's status as an actor helps make that all the more "believable." Sgt. York also gives one of the best examples of forgiveness I've ever seen on film.
Another nice feature of this movie is seeing Joan Leslie in the female lead. She was one of the most pretty and wholesome-looking ladies of her day. She's always a treat to see. Walter Brennan also is interesting, as usual, and in here plays a minister, which also was a surprise.
Much of this film was a surprise because I'm just not used to seeing on film things like true forgiveness, the hero citing Scripture, military officers shown in a compassionate light (letting York, with his pacifistic views, decide what he anted to do) etc. What a shame so few films in the last 50 years have had similar values.
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