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Secret Evidence (1941)

 -  Crime | Drama  -  31 January 1941 (USA)
4.8
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Ratings: 4.8/10 from 24 users  
Reviews: 3 user | 1 critic

PRC - Marjorie Reynolds, Charles Quigley, Ward McTaggart, Kenneth Harlan, Donald Curtis. When Reynolds becomes engaged to the local DA, played by Quigley, her former boyfriend gangster ... See full summary »

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Title: Secret Evidence (1941)

Secret Evidence (1941) on IMDb 4.8/10

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Cast

Complete credited cast:
Marjorie Reynolds ...
Charles Quigley ...
Malcolm 'Bud' McTaggart ...
Tony Baxter (as Ward McTaggart)
Howard Masters ...
Jerry Wilson
Robert White ...
Sniffy (as Bob White)
Kenneth Harlan ...
Frank Billings
...
Detective Murphy
Charles R. Phipps ...
Frank Wilson (as Charles Phipps)
Dorothy Vaughan ...
Mrs. Wilson
Budd Buster ...
Frank--Tourist Court Manager (as Bud Buster)
Kitty McHugh ...
Mazie
Boyd Irwin ...
Judge J. William Johnston
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Storyline

PRC - Marjorie Reynolds, Charles Quigley, Ward McTaggart, Kenneth Harlan, Donald Curtis. When Reynolds becomes engaged to the local DA, played by Quigley, her former boyfriend gangster shows up. The gangster later ends up shot! However, whos to blame? The finger would seem to point at Marjorie. Nifty PRC crime. 16mm Written by Anonymous

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She offered herself as a Sacrifice... To Save The Ones She Loved!

Genres:

Crime | Drama

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31 January 1941 (USA)  »

Also Known As:

Evidencia secreta  »

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1.37 : 1
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User Reviews

Sacrifice
6 May 2008 | by (New York City) – See all my reviews

This is a pretty good PRC cheapie about how Marjorie Reynolds is about to marry her boss, a lawyer about to become an Assistant District Attorney, when her old boyfriend shows up after four years in prison, ready to collect her and the loot from the job he went to prison for, a job done with Marjorie's brother.

It's a spiffy screenplay and the actors are all good, but the piece is directed without much in the way of flair. The dp, little-known Arthur Martinell, had his best-known work in the 1920s, particularly the comedy ELLA CINDERS. But while he does his best with a set of classical compositions and camera moves and some moderately interesting use of the cheap PRC style of lighting, old-time director Willam Nigh never does much to make this more than adequate.


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