Against her better judgement, happily married Jill Baker is persuaded to see a popular psychoanalyst about her psychosomatic hiccups. Soon, she's disillusioned about husband Larry; and one ... See full summary »
Songwriters Calhoun and Harrigan get Katie and Lily Blane to introduce a new one. Lily goes to England, and Katy joins her after the boys give a new song to Nora Bayes. All are reunited ... See full summary »
Longshoreman Johnny Barnes (Burgess Meredith) is in love with Kitty Tracy (Irene Hervey), barmaid at her father's waterfront saloon, and he beats up Cassidy (Joe Downing), a crooked politician who has been annoying her. Cassidy is murdered that night and Johnny is jailed for the crime. Kitty, her father Andy Tracy (Raymond Walburn), and waterfront-priest Father Cameron (Robert Armstrong believe Johnny is innocent but all evidence points to his guilt. Johnny's story that he was at pier seven watching a tugboat being repaired is discredited by the police, who prove that pier seven has long been closed, and no tugboat such as the one described by Johnny can be found. Following up a clue found by her father, Kitty finds the boat and uncovers the identity of the real murderer, Alcatraz escapee Monte March (Edward Pawley). Kitty and Father Cameron locate and confront him, but his loving wife Frances March (Esther Ralston) is ready to defend him. A terrific struggle between Kitty and Frances... Written by
Les Adams <email@example.com>
This is a zippy B which has a great deal going for it. Burgess Meredith is the nominal hero, but he spends time in jail and therefore off screen particularly in the last half hour, so its left up to others principally his feisty fiancé played by Irene Hervey to investigate the crime. The main merit of the film is that it allows some great character actors to shine. Top acting honours are probably shared between Raymond Walburn as the heroine's father, a garrulous old timer whose glory days are long behind him, but who has a penchant for telling tall stories and Robert Armstrong as a courageous two fisted priest. One highlight is the fight between the two beautiful hellcats Irene Hervey and Esther Ralston who don't battle by the Queensberry Rules. The atmosphere of the docks is well maintained complete with colourful waterfront characters. Arthur Lubin does his customary professional job in the director's chair. This is a good film for a wet afternoon... or for a dry one.
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