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The Saint's Vacation (1941)

Approved | | Crime, Drama, Mystery | 9 May 1941 (USA)
While on vacation, the Saint discovers a much-sought-after music box.

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(screenplay), (screenplay) | 1 more credit »
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Cast

Complete credited cast:
Hugh Sinclair ...
...
Arthur Macrae ...
Monty Hayward
...
Rudolph
...
Valerie (as Leueen Macgrath)
John Warwick ...
Gregory
Manning Whiley ...
Marko
...
Leighton
Ivor Barnard ...
Emil
Gordon McLeod ...
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Storyline

An otherwise innocuous-looking music box is the coveted macguffin that provokes treachery, robbery, torture, murder, and a chase across the Continent involving one of Simon Templar's greatest nemeses, Rudolph Hauser. "The Saint" is aided by amiable sidekick Monty Hatward and spunky girl reporter Mary Langdon. Written by duke1029@aol.com

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Genres:

Crime | Drama | Mystery

Certificate:

Approved | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

9 May 1941 (USA)  »

Also Known As:

A szentek vakációja  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Sally Gray appeared in an earlier entry in the series "The Saint in London" as Penny Parker, an entirely different character. See more »

Goofs

The railway engine shown in the train journey carrying the Saint, his friends and the bad guys is a different engine to that which eventually pulls into the station en route from where they all alight. See more »

Quotes

Monty Hayward: I refuse to be involved in this any further!
Mary Langdon: Is he really going?
Simon Templar, aka The Saint: Yes, as far as the bar.
See more »

Connections

Follows The Saint in London (1939) See more »

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User Reviews

 
Get back to work, for God's sake!
30 October 2005 | by (Derby, UK) – See all my reviews

I hadn't seen this one for nearly 20 years until tonight on cable, and an excellent watch it was at 58 minutes long. Necessarily then a fast paced thriller, the story lifted straight off The Lady Vanishes with Cecil Parker in both but having more immoral fibre in this as the Nazi. At least, I think he was on the Nazis side - nothing is made clear until the very end when this McGuffin is breezily explained by Felix Aylmer. Dressed to Kill provided another variant of this plot 5 years later for Holmes and Watson.

Basically everyone's after a mysterious box and prepared to kill for it. In one scene Parker coldly shoots dead two unarmed train guards for hindering him in his quest, even though we the audience know the whole episode was a deliberate false trail laid by (the apparently uncaring) Templar to throw the baddies off his track.

All it really needed was Charters and Caldicott in one of the foreign hotels arguing about cricket to complete the similarity to TLV. However, the former packed in some rather poor model shots for buildings etc whereas in TSV we're treated to some splendid Gothic Bavarian sets, of hotels, castles and woodland. I wonder what period film they were used for first? With all faults, still a nice little film.


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