Dan Beattie gives up his lawman job to move further west and rejoin his old war buddy Curt Warren in the town of Sundown. At first mistaken for a railroad agent by Beau Santee, a Sundown ... See full summary »
The epic saga of a frontier family, Cimarron starts with the Oklahoma Land Rush on 22 April 1889. The Cravet family builds their newspaper Oklahoma Wigwam into a business empire and Yancey ... See full summary »
When a Texas playboy is murdered in a New York City nightclub the Falcon investigates. When he learns that the victim was slipped rattlesnake venom, the trail leads to Texas, his own ... See full summary »
An otherwise innocuous-looking music box is the coveted macguffin that provokes treachery, robbery, torture, murder, and a chase across the Continent involving one of Simon Templar's greatest nemeses, Rudolph Hauser. "The Saint" is aided by amiable sidekick Monty Hatward and spunky girl reporter Mary Langdon. Written by
Sally Gray appeared in an earlier entry in the series "The Saint in London" as Penny Parker, an entirely different character. See more »
The railway engine shown in the train journey carrying the Saint, his friends and the bad guys is a different engine to that which eventually pulls into the station en route from where they all alight. See more »
What's more, you can't hang a man for something he didn't do. I'm not as stupid as you think I am!
That would be practically impossible.
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Seventh film in RKO's series has George Sanders being replaced by Hugh Sinclair. This time out The Saint is battling a man over a mysterious box, which contains some sort of secret code. This is a rather strange entry in the series as I found it to have one of the best stories but the production is so poor that this really kills anything positive in the film. What really kept getting under my skin was the incredibly bad editing, which really stands out to be among the worst I've ever seen. There's one scene where The Saint must fight two guys while his sidekick and a female reporter (Sally Gray) are watching. The way this thing is edited is so poorly done and the bad music selections really made me laugh when the scene was of course going for suspense. As for Sinclair, he really doesn't make a very good leading man. I wasn't too impressed with Sanders in the role but he was certainly more fitting than his replacement. I'm not sure if he should get all the blame for being so stiff because the entire film pretty much plays out that way. There's never any real energy built by the director and in the end the movie just comes off pretty bland.
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