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IMDb > Rossini (1942)

Overview

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Director:
Writers:
Parsifal Bassi (screenplay)
Luigi Bonelli (screenplay)
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Release Date:
1 October 1942 (Italy) more
Genre:
Plot:
The famous composer's life and his career. His love story with Isabella Colbran, the soprano who was... more | add synopsis
User Reviews:
Musical biopic. more (1 total)

Cast

  (Credited cast)
Nino Besozzi ... Gioacchino Rossini
Paola Barbara ... Isabella Colbran
Camillo Pilotto ... Domenico Barbaja
Armando Falconi ... Il re Ferdinando II di Borbone
Greta Gonda ... Teresa Coralli
Memo Benassi ... Beethoven
Cesare Fantoni ... Paganini
Paolo Stoppa ... Andrea Tòttola, il librettista
Gildo Bocci ... Il duca di Sforza-Cesarini
Lamberto Picasso ... Negri, il colonello dei dragoni
Giacomo Moschini ... Il duca Carafa
rest of cast listed alphabetically:
Raffaele Balsamo ... Il segretario del re
Giulio Battiferri
Oreste Bilancia ... L'uomo sotto la pioggia
Angelo Calabrese
Ruggero Capodaglio ... Il cameriere del caffè Greco
Dante Nello Carapelli
Romolo Costa ... Il principe austriaco
Diana Dei ... La signora sotto la pioggia
Anna Maria Dionisi ... La cameriera della Colbran
Oreste Fares ... Giovanni Paisiello
Alberto Marchió ... Un giovane ammiratore di Rossini (as Alberto Marchiò)
Gilda Marchiò ... Anna Guidarini, madre di Rossini
Alfredo Martinelli ... Il capo claque all' Argentina
Giovanni Onorato ... L'ufficiale borbonese
Massimo Pianforini ... Il professore Carpassi
Franco Rondinella ... Don Raffaele, il barbiere
Vera Ruberti ... Una signora della società viennese
Edoardo Toniolo ... Un amico di Rossini
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Additional Details

Runtime:
Italy:112 min
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4 out of 4 people found the following review useful.
Musical biopic., 1 June 2004
Author: Gerald A. DeLuca (italiangerry@gmail.com) from United States

"Rossini" is an appealing biography of the great Italian operatic composer of "The Barber of Seville," "Mose'", "L'italiana in Algeri," "William Tell" and many more great works, so many of them marked by a vivacious sense of comedy and some spitfire vocal passages. This movie restricts itself to the years 1815 through 1829, the early years of his success throughout Europe.

The composer, in this wartime Italian production, was played by Nino Besozzi, a prolific performer in the Italian fascist cinema. He does a creditable job particularly with the film's many lighter moments. Although a bit schematic in the treatment of the composer's life and loves, we forgive it all because of a great number of excerpts from his works. They include "The Barber of Seville" and the story of its premiere and the partisans of Paisiello's version who tried to interfere with its performance, the chorus from "Mose," and the happy ending that the composer had imposed upon him by an impresario, so that Otello does not kill his wife, as in Shakespeare, but sings a therapeutic duet with her instead. Paola Barboni plays the soprano who will become the future wife of Rossini.

Some of the best moments in the movie are provided by Armando Falconi as bubbly enthusiast King Ferdinand I of Naples and Camillo Pilotto as the impresario. The bass Tancredi Passero does a fabulous rendition of the "La calunnia" aria from "Barber," and I found very affecting the melancholy encounter between the roaringly successful Rossini and the now-deaf Beethoven in which the German composer rues his own fate while praising the Italian's comic gift. It is a powerful and mysteriously haunting sequence. When this movie opened in New York in 1948, it was at the Cinema Dante, variously known over the years as the Cinema Verdi, the Princess Theatre, and the Little CineMet. It was located about a block from the old Metropolitan Opera House.

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