The Reluctant Dragon (1941)

User Rating:

7.0/10   

Directors:

Alfred L. Werker
Hamilton Luske

Writers:

Kenneth Grahame (story)
Ted Sears (screenplay) ...

Release Date:

20 June 1941 (USA)

Genre:

Animation | Family | Comedy

Tagline:

Sequences in MULTIPLANE TECHNICOLOR (original print media ad - many caps)

Plot:

Humorist Robert Benchley learns about the animation process at Walt Disney Studios while trying to find the great man himself to pitch him the idea of making a cartoon about a shy dragon.

Plot Keywords:

Disney Studios | Dragon | Sound Effects | Animator | Horse

Cast

Robert Benchley	...	Himself
Frances Gifford	...	Doris (Studio Artist)
Buddy Pepper	...	Humphrey (Studio Guide)
Nana Bryant	...	Mrs. Benchley
Claud Allister	...	Sir Giles (segment "The Reluctant Dragon") (voice)
Barnett Parker	...	The Dragon (segment "The Reluctant Dragon") (voice)
Billy Lee	...	The Boy (segment "The Reluctant Dragon") (voice)
Florence Gill	...	Herself (Voice Artist)
Clarence Nash	...	Himself / Donald Duck (voice)
Norman Ferguson	...	Himself (as Norm Ferguson)
Ward Kimball	...	Himself (Goofy animator)
Jimmy Luske	...	Jimmy, Baby Weems model
Alan Ladd	...	Al, Baby Weems storyboard artist
Truman Woodworth
Hamilton MacFadden		(as Hamilton Mac Fadden)

Also Known As:

A Day at Disneys (USA) (TV title)
Behind the Scenes at Walt Disney Studio

Runtime:

74 min

Country:

USA

Language:

English

Color:

Black and White (Sepiatone) | Color (Technicolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Argentina:Atp | Finland:S | Sweden:Btl | UK:U | USA:Not Rated

Filming Locations:

Walt Disney Studios, Burbank, California, USA

Company:

Walt Disney Productions

Trivia:

Portions of this film had to be redone because of objections by the Hays Office. The dragon was originally drawn with a navel which had to removed before the film could be passed.

Quotes:

[first lines]
Mrs. Benchley: [Reading] "So they set off up the hill, arm in arm, the knight, the dragon, and the boy. The lights in the little village began to go out one by one."
[Is interrupted by a toy rifle going off]
Mrs. Benchley: "But there were stars and a late moon as they climbed the downs together."
[Toy rifle again]
Mrs. Benchley: Robert, please.
[Pan to Robert Benchley lying on a raft in the pool, with the toy rifle]
Robert Benchley: Go on, I can hear in any position.
[Shoots a dart at a duck decoy in the pool]
Mrs. Benchley: [Continues reading] "And as they turned the last corner and disappeared from view, snatches of an old song were borne back on the night breeze. I can't be certain which of them was singing, but I think it was the dragon."
[...]

Movie Connections:

Referenced in "Get Smart: The Reluctant Redhead (#3.26)" (1968)

Soundtrack:

The Reluctant Dragon

Disney Cabinet Curio

After filming the live-action sequences of "Fantasia" and hurting for a "feature release" following the financial fiascos of the aforementioned feature, presumably Disney rushed this into production (with most of it live-action, it not only cost less than a fully-animated counterpart of equal length, it took much less time to complete).

It purports to tell the story of how Disney animated cartoons are made, but, courtesy of a disclaimer at the beginning of the movie, it turns out to be more fiction than fact.

Various processes - like sound recording, paint-mixing, cell-photographing, multi-planing, etc - are all upended for the sake of humor (in one instance, a complete cel of Donald Duck comes to life, in another instance, the sound effects crew creates an "unplanned" cacophony by knocking over all the equipment).

More to the point is that the sequences are not just staged, but they employ professional actors (such as Alan Ladd!) portraying Disney animators and other staff (although in certain instances, actual animators such as Woolie Reitherman and Ward Kimball make appearances).

The "Baby Weems" sequence is often commended by many for being innovative and the forerunner of the UPA-style that would dominant the art of animation in the 1950s, but the fact is that "Weems" is nothing more than a sleek, streamlined version of a "leica reel" (a film which combines the pre-recorded soundtrack with the animators' storyboard sketches, as a way of assessing how story pacing and timing are before *before* any time and effort are spent creating fully-animated sequences). The story is cute, the drawings are more fully- rendered than they would be in a genuine Leica reel so they are nice to see, but "innovative"? I don't think so.

The Goofy "How-to" sequence is okay (I never cared for the "How-To" series, but I know a similarly-themed version in "Saludos Amigos" with Goofy trying to be a Gaucho is funnier).

The title short - "The Reluctant Dragon" - is cute and funny. I don't think it rates as a classic, but because it is such a rarely-viewed piece it needs to be watched by all Disney-philes.

Considering its historic value, this movie is hardly a waste of time. It's just not one that deserves repeated viewings.