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Piccolo mondo antico (1941)

 -  Drama  -  10 April 1941 (Italy)
6.7
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Ratings: 6.7/10 from 77 users  
Reviews: 3 user

Franco, a young man of noble descent, decides to marry Luisa, daughter of a humble clerk, against his grandmother's will. But a terrible tragedy upsets the life of the newly married couple:... See full summary »

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(novel), (adaptation), 3 more credits »
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Title: Piccolo mondo antico (1941)

Piccolo mondo antico (1941) on IMDb 6.7/10

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Cast

Cast overview, first billed only:
...
Luisa Rigey Maironi
Massimo Serato ...
Franco Maironi
Ada Dondini ...
La marchesa Orsola Maironi
Annibale Betrone ...
Zio Piero
Mariù Pascoli ...
Ombretta Maironi
Giacinto Molteni ...
Il professore Beniamino Gilardoni
Elvira Bonecchi ...
La signora Barborin Pasotti
Enzo Biliotti ...
Il signor Pasotti
Renato Cialente ...
Von Greisberg
Adele Garavaglia ...
La signora Teresa Rigey
Carlo Tamberlani ...
Don Costa
Giovanni Barrella ...
Il curato di Puria
Nino Marchetti ...
Pedraglio, il cospiratore
Giorgio Costantini ...
L'avvocato di Varenna
Jone Morino ...
Donna Eugenia
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Storyline

Franco, a young man of noble descent, decides to marry Luisa, daughter of a humble clerk, against his grandmother's will. But a terrible tragedy upsets the life of the newly married couple: their little daughter Ombretta drowns in Lake Como and Luisa goes to the brink of madness... Written by Salvatore Santangelo <pappagone2@libero.it>

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Genres:

Drama

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Release Date:

10 April 1941 (Italy)  »

Also Known As:

Old-Fashioned World  »

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Technical Specs

Sound Mix:

Aspect Ratio:

1.37 : 1
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Connections

Referenced in Of Life and Love (1953) See more »

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User Reviews

 
PICCOLO MONDO ANTICO (Mario Soldati, 1941) ***
28 April 2006 | by (Naxxar, Malta) – See all my reviews

Yet another film about the Italian Risorgimento, a subject which I've always found fascinating given that I studied Italian history in my childhood! Despite the meticulous period detail of the production, the film's tone is an intimate one and, apart from the class struggle manifest in the narrative, is not overtly political either.

The acting by the two leads - Alida Valli and Massimo Serrato - is fine (the former in particular when, towards the end, she almost goes mad with grief over her little daughter's tragic death), but so is the supporting cast which includes such stereotypes as the jovial but perennially hungry chaplain and the harridan aristocratic matriarch, clinging to a fading way of life, who stands in the way of the young couple's happiness. However, some of the characters speak in a heavy dialect which - even to one who is fluent in the language as I am - is practically impossible to decipher!


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