While out riding in the country, wealthy New Yorker Alec Walker meets young widow Julie Eden, and a relationship quickly develops. However, Alec has not told her that he is already locked ... See full summary »
Working-class Stella Martin marries high-end Stephen Dallas and soon they have a daughter named Laurel. But Stephen's incessant demands of Stella to become what she isn't leads to their ... See full summary »
As Julie prepares to leave her husband Roger, she begins to play through a stack of recordings, each of which reminds her of events in their lives together. One of them is the song that was playing when she and Roger first met in a music store. Other songs remind her of their courtship, their marriage, their desire for a child, and the joys and sorrows that they have shared. A flood of memories comes back to her as she ponders their present problems and how they arose. Written by
Cary Grant and Irene Dunne are very good in this bittersweet romance, mainly made up of flashbacks with the links between them being records from the past played by Dunne. We see the couple through their first meeting, marriage, move abroad, and so on. The central thread of the story is when they adopt a baby girl, Trina, who fills the void in their marriage. When Trina dies as a child it seems there is nothing more to hold them together.
Edgar Buchanan is excellent as uncle Applejack, the printer who knows how to handle babies, and the little girl playing Trina is cutesy cute in the nativity play scene. Grant's best moment is in the judge's office when he pleads to be allowed to keep his adopted daughter (because she isn't like an automobile you take back when you can't keep up the payments). The ending however is weak; another baby is found for them to adopt and all their troubles are over. This feels rushed and doesn't really work. Otherwise, a well put together film which is typical of the time it was made.
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