When his life is saved in a shootout by a fellow gunman whose life he in turn had saved, Alex Longmire promises to give up his way of life. Riding into town he finds the only job available ... See full summary »
Zandy Allan purchases a mail-order bride, Hannah Lund. He treats her as a possession, without respect or humanity, until their shared ordeal as they struggle to survive develops in him a ... See full summary »
Wanted north of the border, Jess Carlin resides safely in Mexico. Then he hears his brother was killed in a gunfight with another man. Knowning his brother never carried a gun he heads ... See full summary »
Barbara Carlin attends her own funeral and returns home suspecting that her husband, Rod Carlin, had tried to do away with her, and is also (rightfully) curious as to just who was the woman... See full summary »
John Sands (Rod Cameron), formerly a Texas marshal whose talents with guns caused the law to turn against him,is a fugitive in Mexico, when he learns from "Dusty" Stewart (Cathy Downs)that his brother in the Texas panhandle, Billy Sands (John C. Champion), her fiancé and crusading newspaperman, his been mysteriously murdered in Sentinel, Texas. Despite the price on his head, Sands comes north to the panhandle to find his brother's killer. Written by
Les Adams <firstname.lastname@example.org>
Panhandle, B western for Allied Artists stars Rod Cameron as a fugitive in Mexico who when he finds out that his brother has been killed in the Panhandle area of Texas right on the Oklahoma line comes north to settle accounts. The bad guy here is Reed Hadley who is the town boss where the brother was a crusading newspaperman.
Cameron has two women vying for him as well, Cathy Downs and Anne Gwynne. Both aid him at crucial times in his quest.
Hadley is one slick article however and he's got a lot of gunslingers on his payroll. One of them is future producer/director Blake Edwards who plays a punk gunfighter working for Hadley. Edwards also co-wrote Panhandle
Another reviewer compared Cameron's character to some of Clint Eastwood's heroes. I certainly haven't seen that kind of speed with a gun outside of such Eastwood classics like High Plains Drifter. Edwards and Cameron seem to be decades ahead of their time.
This is a B western, but it's pretty grim stuff, not at all like a Gene Autry or Roy Rogers Republic western. No real production values and Rod's speed is a bit unreal, but the film is nicely acted and not for the Saturday matinée crowd.
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