The first of three Pine-Thomas productions for Chester Morris finds him as wise-cracking private detective Humphrey Campbell who impresses his boss, Oscar Flack, no end by not only finding ...
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The first of three Pine-Thomas productions for Chester Morris finds him as wise-cracking private detective Humphrey Campbell who impresses his boss, Oscar Flack, no end by not only finding a missing girl but also marrying her in the process. So Flack sends him to celebrate his honeymoon in the Divorce Capital of the world, Reno, Nevada, to find a missing man. Along the way, in a mixture of big city crime and old-west settings, Humphrey encounters a large assortment of suspicious characters, all of whom are also suspicious of the others. A comedy that also includes some killings along the way. Written by
Les Adams <firstname.lastname@example.org>
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
Music by Louis Alter (uncredited)
Played by nightclub pianist See more »
In one of the first Pine-Thomas B films from Paramount Chester Morris and Jean Parker play a bargain basement version of Nick and Nora Charles in No Hands On The Clock. I'm thinking this might have been something that Bill Pine and Bill Thomas had in mind for a series, but Morris's next film was his first Boston Blackie.
Morris is a detective specializing in missing persons cases and is hired to find the missing son of a ranch owner who enjoys the casinos in Reno and all they have to offer. Several murders later we find who's been responsible for a small crime wave including a fake kidnapping of the missing son in question.
Dick Purcell has a nice role along with Astrid Allwyn as a known gangster whom the cops and the FBI think is responsible for all of this. Allwyn plays a very wise moll to Purcell, their scenes with Morris and Parker have some real bite.
This definitely could have been a series had Morris not already signed for Boston Blackie.
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