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Never Give a Sucker an Even Break (1941)

Approved  |   |  Comedy, Musical  |  10 October 1941 (USA)
7.5
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Ratings: 7.5/10 from 1,511 users  
Reviews: 31 user | 17 critic

Fields wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beat up for ogling a woman, and abused by a waitress. He becomes his niece's guardian when... See full summary »

Director:

(as Edward Cline)

Writers:

(screen play), (screen play), 1 more credit »
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Edit

Cast

Cast overview, first billed only:
...
Gloria Jean ...
His Niece
Leon Errol ...
His Rival
Billy Lenhart ...
His Heckler (as Butch)
Kenneth Brown ...
His Heckler (as Buddy)
...
Mrs. Hemogloben
Susan Miller ...
Ouilotta Hemogloben
...
The Producer
Mona Barrie ...
The Producer's Wife
Charles Lang ...
The Young Engineer
Anne Nagel ...
Madame Gorgeous
Nell O'Day ...
The Salesgirl
Irving Bacon ...
The Soda Jerk
Jody Gilbert ...
The Waitress
Minerva Urecal ...
The Cleaning Woman
Edit

Storyline

Fields wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beat up for ogling a woman, and abused by a waitress. He becomes his niece's guardian when her mother is killed in a trapeze fall during the making of a circus movie. He and his niece, who he finds at a shooting gallery, fly to Mexico to sell wooden nutmegs in a Russian colony. Trying to catch his bottle as it falls from the plane, he lands on a mountain peak where lives the man- eating Mrs. Hemogloben. When he gets to the Russian colony he finds Leon Errol (father of the insulting boys and owner of the shooting gallery) already selling wooden nutmegs. He decides to woo the wealthy Mrs. Hemogloben but when he gets there Errol has preceded him. The Mexican adventure is the story that Esoteric Studios would not buy. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Comedy | Musical

Certificate:

Approved
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Details

Country:

Language:

Release Date:

10 October 1941 (USA)  »

Also Known As:

Gib einem Trottel nie eine Chance  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Several cast members in studio records/casting call lists for this movie were not seen in the final print. These were (with their character names): Richard Alexander (Burly Man), William Alston (Circus Attendant), Al Hill (Studio Policeman), James C. Morton (Studio Policeman), Lloyd Ingraham (Doctor) and Armand 'Curly' Wright (Doctor). See more »

Goofs

When the ladder of the fire truck lifts the car into the air, a shadow on the front of the building reveals the rigging and crane that actually did the lifting. See more »

Quotes

Receptionist: Some day you'll drown in a vat of whiskey!
The Great Man: Drown in a vat of whiskey. Death, where is thy sting?
See more »

Connections

Referenced in Head (1968) See more »

Soundtracks

VOICES OF SPRING
(1882) (uncredited)
Music by Johann Strauß
Sung by Gloria Jean
See more »

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User Reviews

 
A sad and funny sign-off
12 February 2002 | by See all my reviews

Fields adds a commentary on the indignities of old age to his repertoire. Often more somber than his reputation -- and all the funnier because of it -- Fields here plays a version of himself trying to sell a script to a movie studio. So we see a drawling, slow-moving older fellow in the humiliating position of pitching an idea to a producer who isn't necessarily honored or interested. Fields's script is, of course, ridiculous, just as his ideas in real life must have seemed crazy to many a studio executive. We "see" the script played out as the producer reads it, giving Fields a chance to go through his paces -- delightful, as usual, even if his obviously failing health makes it melancholy at the same time. Leaving the meeting with his tail between his legs, Fields is lovingly embraced by his niece, Gloria Jean, who contrary to what you might think, is wonderful. Her love for her uncle, and all his eccentricities, is endearing throughout. What can one say about the Keystone Kops-like windup, except that they probably had to tack a conventional finish onto a very unusual movie? This was Fields's final full-length performance, as if he knew the end was near. A sad and funny sign-off by the best comedian in movie history.


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