Fields wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beat up for ogling a woman, and abused by a waitress. He becomes his niece's guardian when... See full summary »
Larson E. Whipsnade runs a seedy circus which is perpetually in debt. His performers give him nothing but trouble, especially Edgar Bergen and Charlie McCarthy. Meanwhile, Whipsnade's son ... See full summary »
Edward F. Cline
Rightly suspected of illicit relations with the Masked Bandit, Flower Belle Lee is run out of Little Bend. On the train she meets con man Cuthbert J. Twillie and pretends to marry him for "... See full summary »
A small country on the verge of bankruptcy is persuaded to enter the 1932 Los Angeles Olympics as a means of raising money. Either a masterpiece of absurdity or a triumph of satire, ... See full summary »
Crosby plays a Philadelpia Quaker engaged to a Southern belle. He becomes a social outcast when he refuses to fight a duel. Fields then hires him to perform on his riverboat, promoting him ... See full summary »
Fields wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beat up for ogling a woman, and abused by a waitress. He becomes his niece's guardian when her mother is killed in a trapeze fall during the making of a circus movie. He and his niece, who he finds at a shooting gallery, fly to Mexico to sell wooden nutmegs in a Russian colony. Trying to catch his bottle as it falls from the plane, he lands on a mountain peak where lives the man- eating Mrs. Hemogloben. When he gets to the Russian colony he finds Leon Errol (father of the insulting boys and owner of the shooting gallery) already selling wooden nutmegs. He decides to woo the wealthy Mrs. Hemogloben but when he gets there Errol has preceded him. The Mexican adventure is the story that Esoteric Studios would not buy. Written by
Ed Stephan <firstname.lastname@example.org>
In the diner scene, the waitress (Jody Gilbert) exclaims: "Baloney Mahoney Malarkey, you...Kabloona!", to which WC Fields responds "I haven't been called that for two days." "Kabloona" is the Inuit (Eskimo) word for "white man." See more »
When the ladder of the fire truck lifts the car into the air, a shadow on the front of the building reveals the rigging and crane that actually did the lifting. See more »
The Great Man:
Have, uh, you any imported cigars?
'Stingeroos', four for a nickel.
The Great Man:
Oh, that's fine. As long as they're imported.
[she holds out box of cigars, he takes four]
The Great Man:
You know, if anybody ever comes in here and gives you a ten dollar tip... uh, scrutinize it carefully. There's a lot of that counterfeit money going around.
[she holds out her hand for the money for the cigars]
The Great Man:
I'll give you the dough. Don't...
[puts a coin in her hand]
The Great Man:
If I get any counterfeit nickels or pennies, I'll know ...
See more »
It was W.C. Fields' last lead role in a film - and his last knock at the system that gave him immortality. In THE BANK DICK Fields took several aims at making movies - from his drunken film director A Pismo Clam to his screenplay that was better than GONE WITH THE WIND (which he actually does sell at the end of the film). But there were many targets in THE BANK DICK. NEVER GIVE A SUCKER AN EVEN BREAK is a film about making movies. Fields is trying to sell his next picture to Esoteric Pictures, which is run by Franklin Pangborn. The crazy story line begins with him proudly seeing an advertisement billboard for THE BANK DICK, only to find two little brats razzing it. He and his niece, Gloria Jean, are both trying to get into business with Esoteric, and Pangborn is actually willing to sign up Gloria Jean - but she slaps him when he bad mouths her Uncle Bill. We see a rehearsal at Esoteric for Gloria Jean, and see the incongruities of the studio system when Pangborn, carried away by the music, finds himself also carried away by two actors dressed as Nazi soldier goose stepping. So it goes throughout the film, even ending with a mad car chase to get a woman to her destination - except she is taken to a maternity hospital that she did not want to go to. But, as THE BANK DICK showed, all comedies should end with a mad chase.
There are references to other comics in the film, especially Fields' rivals the Marx Brothers. His interview with Pangborn is interrupted by Madame Pastrami, the cleaning lady - whom an angry Fields calls "a Groucho Marx" (actually she's a "Chico"). And the leading lady he tries to romance for her money in his film - Mrs. Hemoglobin - is none other than Margaret Dumont, Groucho's usual girlfriend. Field's past with Ziegfeld is brought in too (although not his film career it led to his film career). His rival for Miss Dumont is Leon Erroll, his old fellow Ziegfeld comic. One also wonders if the Marxes and Ziegfeld are the only references thrown in. The incongruous appearance of an ape on top of Mrs. Hemoglobin's mountain retreat is similar to the ape on the swinging rope bridge in the alps in Laurel & Hardy's SWISS MISS.
The film lacks structure, so it is not as well received as THE BANK DICK, IT'S A GIFT, of THE OLD FASHIONED WAY. But Field's crazy script raises an issue - do we really need structure to enjoy a funny film? Years before Monty Python discovered that a sketch did not need to reach a logical conclusion to be successful, Fields demonstrated it in this full length film. He finds structure a nuisance. Look at how he openly tells the audience that his sequence in an ice cream parlor should have been in a bar. And the audience appreciates the hint.
Nothing has to be straightforward, because we understand that everything means something else. Fields sings of chickens and their legs in Kansas, and we realize that the song is not about poultry, but about the legs of pretty ladies (like the stewardesses who smile while he sings). The film flows on, making a mockery of film making but celebrating it at the same time.
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