Never Give a Sucker an Even Break (1941)

Fields wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beat up for ogling a woman, and abused by a waitress. He becomes his niece's guardian when... See full summary »

Director:

Edward F. Cline

Writers:

John T. Neville (screen play), Prescott Chaplin (screen play),

Stars:

W.C. Fields, Gloria Jean, Leon Errol

Cast

Cast overview, first billed only:
W.C. Fields	...	The Great Man
Gloria Jean	...	His Niece
Leon Errol	...	His Rival
Billy Lenhart	...	His Heckler (as Butch)
Kenneth Brown	...	His Heckler (as Buddy)
Margaret Dumont	...	Mrs. Hemogloben
Susan Miller	...	Ouilotta Hemogloben
Franklin Pangborn	...	The Producer
Mona Barrie	...	The Producer's Wife
Charles Lang	...	The Young Engineer
Anne Nagel	...	Madame Gorgeous
Nell O'Day	...	The Salesgirl
Irving Bacon	...	The Soda Jerk
Jody Gilbert	...	The Waitress
Minerva Urecal	...	The Cleaning Woman

Storyline

Fields wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beat up for ogling a woman, and abused by a waitress. He becomes his niece's guardian when her mother is killed in a trapeze fall during the making of a circus movie. He and his niece, who he finds at a shooting gallery, fly to Mexico to sell wooden nutmegs in a Russian colony. Trying to catch his bottle as it falls from the plane, he lands on a mountain peak where lives the man- eating Mrs. Hemogloben. When he gets to the Russian colony he finds Leon Errol (father of the insulting boys and owner of the shooting gallery) already selling wooden nutmegs. He decides to woo the wealthy Mrs. Hemogloben but when he gets there Errol has preceded him. The Mexican adventure is the story that Esoteric Studios would not buy.

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Plot Keywords:

niece | reference to zasu pitts | gorilla | police escort | fire engine | 

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Genres:

Comedy | Musical

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

10 October 1941 (USA)

Also Known As:

Gib einem Trottel nie eine Chance

Filming Locations:

Glendale, California, USA

Company Credits

Production Co:

Universal Pictures

Technical Specs

Runtime:

71 min

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

The frantic race down the Hyperion Street bridge on Glendale Avenue when Field's car is hooked onto the firetruck: Look to the upper far right of the scene in the distance and you will see the Great Mausoleum of Forest Lawn where Fields would eventually be interred in the Columbarium of Nativity.

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Goofs

When the ladder of the fire truck lifts the car into the air, a shadow on the front of the building reveals the rigging and crane that actually did the lifting.

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Quotes

The Great Man: [to an Englishman who has a limp in his walk] Whatsa matter? Did you sprain your ankle?
Bitten Englishman: No, no, no. A dog bit, bit me.
The Great Man: Oh.
Bitten Englishman: Yeah, I was playing, uh, croquet and I, and I dropped my mallet. And, uh, a little dachshund ran straight out and uh, and, and grabbed me by the fetlock.
[Bending over to point to his ankle]
The Great Man: Oh.
[Looking BEHIND him in the bent-over position]
The Great Man: Rather fortunate it wasn't a Newfoundland dog that bit you.
Bitten Englishman: Uh, yes, rahther.
The Great Man: Yeah.
[...]

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Connections

Referenced in Hollywood Hist-o-Rama: W.C. Fields (1961)

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Soundtracks

"ESTRELLITA"
(1912) (uncredited)
Written by Manuel M. Ponce
Sung by Gloria Jean

User Reviews

Selling A Screenplay, Fields Style

Never Give A Sucker An Even Break was W.C. Fields's last starring film and last one that he had complete creative control. All of his future film work would be guest appearances and specialties.

This film is as anarchistic as anything the Marx Brothers ever did, in fact it anticipates Monty Python by over 30 years. Most of it is Fields relating an idea for a screenplay to studio head Franklin Pangborn. This is where it gets positively surreal.

To cement the Marxian connection Fields gets to pay court to Groucho's favorite foil Margaret Dumont. But the relationship here is totally different. Margaret is always the butt of Groucho's bon mots half of which she confessed herself went over her head. With Fields as with other women like Kathleen Howard who henpecked him previously, the women dominate and Fields gets his points across, but mostly with pantomime and facial expression.

The film is also to showcase Universal's backup teenage soprano Gloria Jean. Remember at this time before Abbott&Costello score a hit with Buck Privates, Deanna Durbin was their number one star. But the best way to keep a star under control was to have a replacement waiting in the wings. That was Gloria Jean's function. She had done well with Bing Crosby in a film the previous year, If I Had My Way, that allowed a far better expression of her talents. She had a pleasing soprano voice and Fields lowered the cynicism quotient in his scenes with his 'niece'.

Still Never Give A Sucker An Even Break is a Bill Fields film all the way. Too bad this was the last film to give his talents full range.