Mr. and Mrs. Maitland invite Whitey to their home on a trial basis. Whitey tries to visit a friend in reform school and inmate Flip is hiding in car as Whitey leaves. Flip steals money and ... See full summary »
Inventor Thomas Edison's boyhood is chronicled and shows him as a lad whose early inventions and scientific experiments usually end up causing disastrous results. As a result, the towns ... See full summary »
A GI marries the English girlfriend of his best friend to get her into the U.S. for his friend who lost track of her in the war only to find on returning home that he is stuck with the girl because the friend has married someone else.
The true story of Agnes Newton Keith's imprisonment in several Japanese prisoner-of-war camps from 1941 to the end of WWII. Separated from her husband and with a young son to care for she ... See full summary »
It's 1945, Burma, the day the war is over! For many this means they've survived and will be going home. But not for everyone. A Scottish soldier, Corporal Lachlan "Lachie" MacLachlan is the... See full summary »
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
Mr. and Mrs. Maitland invite Whitey to their home on a trial basis. Whitey tries to visit a friend in reform school and inmate Flip is hiding in car as Whitey leaves. Flip steals money and both boys go to reform school. Father Flanagan exposes the conditions in the school and the boys are released to him. Ted's dog is killed but Ted can walk. The Maitlands work to pay off the debts threatening Boys Town. Written by
Ed Stephan <firstname.lastname@example.org>
Father Flanagan desperately needs $200,000 to finance the two new wings of Boys Town, the community's young reformed mayor Whitey lets himself be adopted on a trial basis by a couple that might help raise the money, and a new kid, Ted with the broken back and the many ghosts in the closet, reluctantly enters Boy Town, and it seems like he is never going to trust humankind again.
Three years after the enormous success of 'Boy Town', director Norman Taurog and his brilliant cast is at it again, reforming young sinners and fighting their battle against the inhuman ways children were treated in reform schools. Father Flanagan preaches an anti-punishment policy way ahead of its time: "There is no redemption in a lash", he says.
It is Whitey, this time around, that gets to say the immortal words, "There's no such thing as a bad boy", and adds: "... someone told me once". And again Mickey Rooney is the center of attention here, I was once more amazed at this young actor's ease, the complete confidence that he exudes plus the vulnerability. Never once does he come across as too cocky, he is just always quite right, which is an art. Rooney was a brilliant, intuitive player, and it is about time someone gave him credit for it.
The rest of the acting is not quite on that level. Spencer Tracy as Father Flanagan plays the easy part here, sufficing to smile warmly and speak heatedly, but he is nice to be in a room with.
As always, modern viewers cringe at the angelic choirs that accompany the miracles that make all the pieces fit together, and they must have sounded grating even in 1941. But, beggars can't be choosers, and I like this second round of Boys Town almost as much as the first.
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