Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Just before Christmas, Lee Leander is caught shoplifting. It is her third offense. She is prosecuted by John Sargent. He postpones the trial because it is hard to get a conviction at ... See full summary »
As a parting shot, fired reporter Ann Mitchell prints a fake letter from unemployed "John Doe," who threatens suicide in protest of social ills. The paper is forced to rehire Ann and hires John Willoughby to impersonate "Doe." Ann and her bosses cynically milk the story for all it's worth, until the made-up "John Doe" philosophy starts a whole political movement. At last everyone, even Ann, takes her creation seriously...but publisher D.B. Norton has a secret plan. Written by
Rod Crawford <email@example.com>
After "John Doe" intrudes on D. B. Norton's dinner party and tells him off, Norton calls his newspaper and orders a special edition which will reveal Doe as a fraud. Doe takes a cab from Norton's house directly to the convention hall. Within minutes of his arrival there, a horde of newsboys appear with copies of the newspaper. It would be impossible to print an extra edition in such a short period of time. See more »
O.K. folks, but remember your manners. No stampeding. Walk slow, like you do when you come to pay your taxes.
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This film offers a standing rebuke to critics who use the term "Capracorn". None of Capra's films are as blindly optimistic as is often argued, but this one is a pitch-black jeremiad against manipulation by the media. The mob scene at the "John Doe" convention is one of the powerful scenes ever filmed. Stanwyck is incredible as reporter Anne Mitchell. She is one of the great actresses of the century, and she always did her best work Capra, whose female characters are generally more compelling to the women we get in the movies of our "liberated" era. Cooper is fantastic as a truly "average" guy who is "awakened" by his experience with the John Doe movement, and Edward Arnold is absolutely terrifying in the role of Fascist D.B. Norton. This film is even more relevant today than when it was made, and I would argue that it should be viewed in high schools across the continent. Capra is asking his viewers to think critically of EVERYTHING they hear on the radio or see in papers or hear from elites, and amen to that!
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