Daffy is an agent representing Sleepy Lagoon trying to sell him to talent scout Porky. Daffy spends a great deal of time and energy explaining and demonstrating what the kid can do, while the kid sits on a couch licking a giant sucker.
As the headline on the Daily Planet tells the public: "Mechanical Monster loots bank!" In fact, a scientist has an army of these flying robots able to steal anything in sight. Police are set up everywhere to guard an exhibition of rare jewels, but it's no use. When a robot crashes into the building, it steals all the precious stones in sight, while the policemen's bullets harm it no more than flies. Clark and Lois are at the exhibit. While Clark phones in the story from a booth, Lois stows away in the robot's compartment. Clark sees that Lois has gone missing and decides to change into Superman there in the phone booth. Superman follows the monster, while his X-ray vision allows him to spot Lois inside. His attempt to get Lois out fails. The robot knocks him onto some power lines, losing the jewelry and (nearly) Lois in the process. The robot returns to the scientist's hideout with Lois, but no jewelry. She refuses to tell the scientist where it is. He retaliates by tying her up and ... Written by
This cartoon is the first Superman story in which Clark Kent changes into his Superman costume inside a phone booth. See more »
After robot #13 has robbed the House of Gems and flown off with Lois Lane in its hold, Superman flies up and attempts to rescue her, causing an "Interference" alarm to sound. It is not explained why this alarm did not sound when Lois climbed inside in the first place. See more »
Up in the sky, look! It's a bird. It's a plane. It's Superman!
Faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound, this amazing stranger from the planet Krypton, The Man of Steel: Superman! Empowered with X-ray vision, possessing remarkable physical strength, Superman fights a never-ending battle for truth and justice, disguised as a mild-mannered newspaper reporter, Clark Kent.
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When it comes to plot and dialog, the Max Fleischer Superman cartoons pale in comparison to pretty much any modern superhero cartoon, even Batman: The Brave and the Bold is better written (I ought to write a review for that underrated show sometime, but not now). However, it's clear that's not the point of these cartoons. The point is to dazzle. To blow your mind with some of the most beautiful animation ever committed to celluloid. And almost all of the shorts succeed at that perfectly. Other than some very, very, very, very, very minor lapses that are easily ignored, the movements are fluid and grand on a level that would make the head of any MadHouse Studios animator explode.
I chose to review them on the "Mechanical Monsters" page because it's my favorite (aside from perhaps The Artic Giant, but that's probably just my love of Godzilla). I mean, come on: it's Superman fighting a bunch of robots, how cool is that?
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