While on a South Seas trip, a professor falls in love with marries an exotic native woman. What he doesn't know is that she was raised by superstitious natives who believe her to be some ... See full summary »
An artist (Lon Chaney Jr) is blinded by a jealous assistant/model. His fiance's father generously offers his eyes for a sight restoring operation. there's only one hitch. Chaney has to wait... See full summary »
In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King ... See full summary »
Rowland V. Lee
"Big Dan" McCormick is the sole survivor of a bus crash into hydro lines. 5 others were electrocuted. Intrigued by Dan's apparent immunity to electricity, Dr. John Lawrence, distinguished elector-biologist, asks Dan to visit him at his laboratory, where Lawrence's assistant, Dr. Paul Rigas, is secretly conducting experiments to prove his theory that human life can be motivated and controlled by electricity. Rigas persuades Dan to submit to tests, where Dan absorbs increasingly powerful charges until he develops an amazing degree of immunity, and becomes a walking hulk of electricity. Rigas does a final test of pouring a tremendous charge into Dan's body, and Dan becomes superhuman and his body glows. He is also a robot that is controlled by Rigas. When Lawrence tries to stop the experiment, Rigas orders Dan to kill him. Rigas removes the electricity from Dan's body and he becomes a shrunken shell. Despite the efforts of June Meredith, Lawrence's niece, and newspaper reporter Mark ... Written by
Les Adams <firstname.lastname@example.org>
Based on the story, "The Electric Man" which Universal had purchased for $3,300 in 1935 as a potential Boris Karloff / Bela Lugosi vehicle to be titled "The Man in the Cab." The studio, in the midst of a financial debacle at the time, shelved the project for over five years, assigning the re-write to George Waggner (working as "Joseph West") who re-tooled it as "The Human Robot." See more »
Dr. Paul Rigas:
...eventually a race of superior men can be developed, men whose only wants are electricity.
Dr. John Lawrence:
But, man, you're challenging the forces of Creation!
Dr. Paul Rigas:
The forces of Creation? Bah! You know as well as I do that more than half the people of the world are doomed to a life of mediocrity - born to be nonentities, millstones around the neck of progress, men who have to be fed, watched, looked over, and taken care of by a superior intelligence. My theory is to make these people of more use to the world. By...
[...] See more »
Man Made Monster is directed by George Waggner and stars Lionel Atwill, Lon Chaney Jr & Anne Nagel. It's adapted from an original story titled The Electric Man which is co-written by H.J. Essex, Sid Schwartz & Len Golos. It is notable for being the first horror venture for Chaney Jr who would make his signature horror movie The Wolf Man the same year. Plot sees Chaney as "Big Dan" McCormick, the sole survivor of an electric train wreck. That all the other passengers were killed by electrocution fascinates the sci-fi boffins, particularly diabolic Dr. Paul Rigas (Atwill), who coerces Dan into a series of tests. The outcome of which will spell disaster as Dan absorbs huge levels of electricity and becomes immune to it. Soon Dan will become the unstoppable Electric Man.
Universal's Man Made Monster has no pretence what so ever, it is what it is, a short sharp shock shocker that plugs itself into the mains and lights up the screen for its 1 hour running time. Which in the case of the excellent Chaney Jr is actually the case, as he is transformed into a hulking, walking light bulb head that garners sympathy in the way that Universal's other man made monster did. The photography (Elwood Bredell) is moody and atmospheric, Hans J. Salter's musical score delightfully oozes familiar Universal values, while Waggner and his team, when one considers the short running time, do very good work on the characterisations; with Atwill given full license to be bonkers-real bonkers.
It's all very conventional in the grand scheme of Universal horror. Monster elicits sympathy, a foxy lady in the mix (Nagel), mad scientist, dashing hero type (Frank Albertson) and here we even have the intelligent pet. There's some smarts in the writing as the makers observe capital punishment and note man messing with things he probably shouldn't be. But really just don't go too deep with it and enjoy a solid little chiller that's boosted by John Fulton's first rate special effects. 7/10
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