Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge and predictable complications result.
A young woman (Stanley Timberlake) dumps her fiancée (Craig Fleming) and runs off with her sister's (Roy Timberlake) husband (Peter Kingsmill). They marry, settle in Baltimore, and Stanley ... See full summary »
Olivia de Havilland,
When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and ... See full summary »
Sara and Kurt Muller and their three children are returning to her mother's home in Washington DC after 18 years in Europe. A Romanian Count living there discovers Kurt's attache case full ... See full summary »
Lecturer Sheridan Whiteside slips on the ice on his way into the home of a prominent Ohio family. The local doctor says Whiteside must remain confined having broken his leg. He begins to meddle with the lives of everyone in the household and, once his plots are underway, learns there is nothing wrong with his leg. He bribes the doctor and resumes control of the household. Written by
Ed Stephan <email@example.com>
Bette Davis desperately wanted John Barrymore to play Whiteside, but he couldn't remember lines. She always said later that she'd rather have acted with him reading from cue cards than with anyone else. See more »
After Banjo hands Whiteside 'Lana Turner's sweater' ( in a package ), in the next instant, after the cut, nothing is in Whiteside's hands. See more »
Dr. E. Bradley:
[repeated line, most of the times the doctor appears out of a side door just when Whiteside is at the center of a three ring circus of activity]
Mr. Whiteside, are you busy?
See more »
After nearly 60 years, "The Man Who Came To Dinner" still ranks as the most hilarious film ever committed to celluloid. Though censorship at the time required some of Kaufman and Hart's ribald dialogue to be toned down, no matter! Monty Woolley's performance is priceless, but Bette Davis, for once in a subdued, non-star performance, provides the heart of the movie and is achingly touching in her subtle evocation of a down-trodden secretary finally discovering love--and in danger of losing her Romeo to the ravishing, outrageously man-eating Ann Sheridan. A perfect film for Christmas viewing (thanks to its exquisite black-and-white cinematography capturing a greeting card background for the non-stop lunacy in the foreground). A perfect film for any day of the year. I've seen other versions--the TV production with Orson Welles, the Broadway musical in the late 1960s, the recent Broadway revival with Nathan Lane. They all pale when compared to this definitive, timeless, masterpiece!
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